A Quote by Mike Posner
I try to tell the truth in my lyrics; write good melodies and make hard beats. So, basically, I just combine hip-hop with melody. That's how I classify myself.
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Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
I try to focus on the melodies and try to make everything else minimal. The melody and the lyrics are most important to me.
We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
My beats and my production aren't dark or emo by any means; it's basically the lyrics I think, and the melody sometimes can be too.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music
Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
I basically try not to waste any lines in any of my songs, and I think the witty phrases and funny lyrics I have bring a smarter sound to college hip-hop.
I feel like my lyrics are just dark and scathing. I feel like the lyrics on 'Darkest Before Dawn' are uncompromised hip-hop and really speaking to my core fan base. Basically what's been known in my discography the entire time.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
When I first started making music, I was pretty drawn to hip-hop beats wrapped together with super-good lyrics. The most important thing in that is wordplay, so that stayed with me when I started writing songs.
I basically learned hip-hop from *NSYNC. And then while I was touring in theater shows, and I couldn't take classes in hip-hop but I wanted to, I just watched Justin Timberlake concerts.
I tend to write at the piano, but usually the melody and lyrics come first. Like, I'll be in the shower, and I'll start singing, and the melody and the lyric will just come out. Then I'll quickly try to finish the shower, try to remember it, record it on my phone and save it for the studio.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
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