A Quote by Mike Posner
A lot of my friends who I wrote or produced songs for came back and helped me make 'Pages.' It's better than I ever could have imagined.
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I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
Steve produced Girls Grow Up Faster Than Boys and one more. Then he and I wrote a few songs together and became good friends. He was a talented producer.
Having red hair is never good when you're a kid. I was picked on a lot and didn't have a lot of friends. But I think that gave me a thick skin and helped make me a better person.
At some of the darkest moments in my life, some people I thought of as friends deserted me-some because they cared about me and it hurt them to see me in pain; others because I reminded them of their own vulnerability, and that was more than they could handle. But real friends overcame their discomfort and came to sit with me. If they had not words to make me feel better, they sat in silence (much better than saying, "You'll get over it," or "It's not so bad; others have it worse") and I loved them for it.
She made me feel better than I have ever felt, better than I imagined I could feel, and it scared me, it scared me to the point of paralysis.
I co-wrote and produced 'Sticky Fingers' with Catlin Adams, who directed it. I learned a lot writing and producing with Cat. I spent as much time as I could in the cutting room with her. All the producing experience that I had helped.
The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.
I came to the Philippines to follow my father who came here earlier, looking for a better life. I helped my father in our sari-sari store. I also asked him if I could go back to school so I could learn English and improve myself.
A lot of the songs that I wrote during 'Pt. 1' and 'Pt. 2' are the first songs that I ever wrote that sounded like that. I was in this phase - a certain creative space in my life - personally and musically.
It's nice that I've grown up with the same friends since I was 12, I have a very close knit set of them... I grew up with a lot of people who a lot of other people regarded as heroes, and no one ever came to me for advice, no one ever came to me for protection, and so I don't ever really think I've been looked at as a hero.
At the end of the tour last year, I was completely fried. I felt my soul was begging me to give it a release. Two long trips to Costa Rica and to Iceland I've made were the best things I could have ever done for myself and you see it with the songs I wrote before I left and the songs I wrote after - there are two different Kips in there.
I now realize that a broken back, failed surgery, and Stage IV cancer are three of the greatest things that ever happened to me. Three of the most positive, transformative things that ever happened to me. They helped me become a vastly better person than I ever was, and I am eternally grateful for that.
Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.
I've always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.
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