A Quote by Mike Posner
I came to realize that if I was going to succeed in the music industry, I was going to have to learn how to perform my songs myself.
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I did a lot of songs that I sold, but then they never came out and I never got paid for it. You learn real fast that the music industry, in the beginning, you're not going to get paid for a while, and then you start getting the accolades.
The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.
When I create a song, I immediately think about what I'm going to wear when I perform that song. I think about the music video treatment and about how I'm going to look on stage when I perform the record. The connection is so obvious that it's a single package. An outfit, to me, is almost a tool to express the music.
There's a point in everyone's career where they're not going to be playing as well as they should be. You just have to keep you confidence and not hang your head and realize that you're going to figure it out and that you're going to get better and that you're going to learn. Learn from all your mistakes.
I felt like a failure for so long because I wasn't able to access myself in the way I knew I would have if I was going to make music that mattered. I knew I was going to have to learn how to be honest.
The one thing you realize if you're going to be successful - no matter where you grew up, no matter what your educational level is - A. You can succeed, but B. The only way you're going to succeed is by outworking everyone else.
Everyone in my industry, the movie industry, is looking at the music industry and going, 'How do we avoid that collapse?' And I don't know if you can, to be quite honest!
It's not going to fill in the potholes. It's not going to put a roof over people's heads. What it does is it helps to address really fundamental questions of who we are, where we came from, by which I mean we can learn how life came about.
I just knew that was what I wanted to do. I was going to perform as a singer; I was going to perform as a dancer, and I was, you know, going to do movies and be an actress. I was going to do it or die trying. That's what my life was.
I just knew that was what I wanted to do. I was going to perform as a singer; I was going to perform as a dancer, and I was, you know, going to do movies and be an actress. I was going to do it or die trying. That's what my life was
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
I see myself as a student. I would never call myself a master or a maestro. If you take the path of the student, that means you have to try a little bit of everything in hopes that you're going to learn something or strike some kind of new note, expression in the process. I'm not going for grades; I'm going for an education. I'm going to continue experimenting and trying new things to try to evolve and learn.
Some of the best songs are love songs. They're things that we all go through, and when we're going through it, we think that we're the only person in the world going through that. Having that music there sort of reminds you that you're not alone. It happens to me, too, as a music fan.
I decided right away that whomever was going to advise me had to be fundamentally interested in music. This protected me from the skullduggery common to the music industry then and that still exists today. Of course, using this method meant that some things we didn't know and just had to learn how to do it together.
Ryder Cup, Presidents Cup, whatever it may be, is maybe the most fun couple weeks we have a year, but I love being able to control my own destiny. The work that I am able to put in ahead of time was either going to come out and I was going to be successful with it, or I was going to try and fail and learn how to succeed the next time.
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