A Quote by Mike Rowe

It really wasn't until I was 15 or 16 years old that I realized that the church was always there; it was always a part of what we were doing, even if it wasn't at the center of everything we did.
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
I'll never forget when I was 12 years old. I couldn't wait until the day I was 16 and could drive a car. I thought that'd be the end of life's problems. I mean, you can drive! What is there left? And then I turned 16 and realized there were still problems.
I was always playing on the streets with my friends until I was 15 or 16 and I wanted to do things with my skills that were exciting.
I don't feel like I really hit puberty until I was almost 17. I'd go to dinner with my family, and I'm 15 or 16 years old, and the waiter was still giving me the children's menu.
One of the reasons I am happy now is that I did the work I had always dreamed of doing. But I didn't start doing it seriously and professionally until I was forty years old.
When I was 16 years old, watching football for the first time, the Cowboys were always on TV - unfortunately, looking back at it now - but Jason Witten was the guy who carried himself, in my opinion as a 16-year-old kid, the right way. He was a phenomenal tight end.
I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices.
I've been so transient, I've been on my own since I was 16. I didn't even have my own place until I was 32 years old. I literally lived out of bags for 16-plus years.
I played hockey my whole life until my ambition outstripped my ability, which happens to most Canadians around 15 or 16 years old.
I did part-time jobs until my apprenticeship as a milling machinist at Vauxhall when I was 16. I got £15 a week and I used to give my mum a fiver of that.
I recall that my workshop leaders were tactful in their ways of acquainting me with my shortcomings as a writer. So much so that I hardly realized they were doing it. I want always to keep that sort of thing in mind when I'm teaching. The way you get better in everything in this life is to make mistakes. Otherwise you're probably doing it right by accident. But you have to do everything wrong before you can really start with some authority to do it right.
There were lots of Spanish teams who didn't want to sign me because of my height when I was 15, 16 years old.
Before I even knew what that half of my family did, I was interested in performing. I remember being seven years old and up on a stage and loving it. I've always adored it. Not just acting, but the whole process of writing and directing movies, everything that has to do with that part of life. Maybe it's in my blood.
I may have been 15 or 16 years old when, on a Sunday morning, I was sitting at home together with my mother and sister, and the floor began to move under us. The hanging lamp swayed. It was very strange. My father came into the room. "It was an earthquake," he said. The center had evidently been at a considerable distance, for the movements felt slow and not shaky. In spite of a great deal of effort, an accurate epicenter was never found. This was my only experience with an earthquake until I became a seismologist 20 years later.
When you're really serious about ballet, it's a job - even if you're 15 years old. You're doing it six to eight hours a day.
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