A Quote by Mike Scheidt

I find a very guilty pleasure in dark themes and vibes, and finding where the transcending nature of awareness meets this darkness. — © Mike Scheidt
I find a very guilty pleasure in dark themes and vibes, and finding where the transcending nature of awareness meets this darkness.
There are three sorts of pleasures which are advantageous, and three which are injurious. Finding pleasure in the discriminating study of ceremonies and music, finding pleasure in discussing the good points in the conduct of others, and finding pleasure in having many wise friends, these are advantageous. But finding pleasure in profligate enjoyments, finding pleasure in idle gadding about, and finding pleasure in feasting, these are injurious.
There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.
I'd like to play a mixture of Lucille Ball meets Murphy Brown meets Glenn Close on 'Damages,' to keep a little bit of the darkness in there. I like dark comedy a lot.
When Steampunk meets adventure and adventure meets comedy and comedy meets ingenuity and ingenuity meets charm and charm meets wonder and wonder meets pleasure the result is a Triumph. Dr Grordbort is the future. And the past. Which makes an ideal present.
A lot of foreign people say, when asking about eating habits, 'What is your guilty pleasure?' I have no guilt. Whatever I do, I enjoy and it's the point. I think if you start to feel guilty about it, that's a problem. So, no guilty pleasures. I have pleasure and no guilt at all.
Half of the popcorn sh-t that's out there, we know it's popcorn. But we're like, "It's my guilty pleasure." I feel like we have more guilty pleasure than actual f - kin' pleasure.
Man is born as a freak of nature, being within nature and yet transcending it. He has to find principles of action and decision-making which replace the principles of instincts.
Right awareness is awareness of one's own being in its totality: all that is good and all that is bad. But as you become aware, the bad starts disappearing - just as when you bring light into the room, the darkness disappears. When light is in the room, darkness cannot exist there. Sin is darkness, forgetfulness, unconsciousness.
Vain is the hope of finding pleasure in that which one has hitherto disdained; as when the warrior hopes to find pleasure in the joys of the sedentaries.
Yes we are devilish; that is true we cackle. Yes we are dark like the soil and wild like the animals. And we turn to each other and stare into this darkness. We find it beautiful. We find this darkness irresistible. We cease all hiding.
I know not everyone is a musician, but it's important to find that craft and put all of your energy into that. It's about leaving the bad vibes and going to where the good vibes are.
Storms and darkness scared me, but somehow it encouraged me to learn about nature and I think nothing's dark, dark is beautiful too.
It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
The integral sage, the nondual sage, is here to show us otherwise. Known generally as "Tantric," these sages insist on transcending life by living it. They insist on finding release by engagement, finding nirvana in the midst of samsara, finding total liberation by complete immersion.
The Weeknd's 'Can't Feel My Face' is very experimental. It's pop meets urban meets indie meets alternative.
Neo-soul caught my attention more than any other sub-genre. I was really attracted by that sound. It made me do what I do musically: trying to find the same type of vibes, those nostalgic vibes.
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