A Quote by Mike Schultz
When I originally started looking at different prosthetic components, most of them were just set up for walking.
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But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
In most ecological systems you have a composite, biotic components as well as abiotic components acting together to form a whole, whereas in a human built environment most of the components are abiotic or they are inorganic. One of the first things we need to do is to complement the inorganic components with more organic components, and to make them interact to form a whole.
Once I started feeling better and healthier and learned to walk on my first prosthetic leg, I realised I'm not going to be satisfied with just walking around.
You look at the world around you, and you take it apart into all its components. Then you take some of those components, throw them away, and plug in different ones, start it up and see what happens.
I remembered this one time that I never told anybody about. The time we were walking. Just the three of us. I was in the middle. I don't remember where we were walking to or where we were walking from. I just remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere
I can bring in all these different components, and I marry these components, and I let them get traversed by the viewer, who reorganizes them.
When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.
I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.
I was doing unemployment for a little bit and then I started a dog-walking business in my neighborhood. I went to FedEx and started printing out some flyers and hung them up around my neighborhood. Then I started walking people's dogs for a couple months.
When the world changed, people were different. Towns closed, cities were boarded up, communities abandoned, their governments collapsed. They seemed to have no qualms that were obvious to you or me about walking away from what they called a useless pile of rubbish, and never looking back.
I grew up looking at the Grammys. It was a childhood infatuation with these people walking around with gold statues. I felt like they were the best, and that's why I started working so hard.
My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
Darla [from Buffy The Vampire Slayer] wasn't Darla in the beginning, by the way. Darla was just Vampire Girl #1. But I just started adding a little bit of glee and joy into everything she did and just relied on the fact that the prosthetic does the work. And then I didn't have to be scary. The prosthetic was scary enough. I just had to smile and show off Darla's really great dental work.
Half of Hollywood has more prosthetic in their body than I do, but we don't think of them as disabled. You amputate part of a nose, that's 'enhancement'. You put a prosthetic in a breast cavity, that's 'augmentation'. But you amputate part of a limb and put a prosthetic there, it's 'disability'?
Walking in stop-motion animation is probably the most difficult thing you can do... The way that they have these puppets connect to the set is they actually drill a hole in the set, and they put a threaded rod up through that hole and screw it into the bottom of their foot, and that keeps them in place.
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