A Quote by Mike Scully
You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.
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'SVU' is one of my favorite shows. When I got the call to appear and play myself, I jumped at the chance. Obviously, I went over my lines, but playing yourself is a really great way to get your feet wet in the acting field. I enjoyed being on set and learning as much as I could about the scripted world.
I think commercials are something that everyone does to get out there and get a little bit of exposure, get their feet wet, and also pay the bills. So anytime you can be a part of a wonderful, fun commercial, that's just a bonus.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I chose 'The Voice' because I knew they had a lot more respect for each artist, as opposed to the other shows. They don't get it. I don't think those shows ever got it. I was turned off by some of the other shows and how they did things.
If you're going to be a healer, it's not enough to read books and learn allegorical stories. you need to get your feet wet, get some clinical experience under your belt.
When you start out somewhere, you've got to get your feet wet. You got to find your place.
I like feet. I definitely have a fetish. I love to see a man's bare foot, but its got to be taken care of. If they're not well manicured, you've got to wonder what the rest of him is like. I don't want to get in bed with somebody and feel his gnarly feet.
I like feet. I definitely have a fetish. I love to see a man's bare foot, but it's got to be taken care of. If they're not well manicured, you've got to wonder what the rest of him is like. [laughs] I don't want to get in bed with somebody and feel his gnarly feet.
It's hard to do, but you've got to be able to get your team going and prepare each week and go out and play your best and hopefully it shows in the game.
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
The fans get to see you, and you can do great by your record if you have a great performance or a great night there. That's all part of the business. But at their core, awards shows are not really a sincere thing. For a lot of years, the artists had to pay to play their own set.
Elected officials want to paint everyone with a broad brush. What they don't get is that everyone pays bills. Liberal activists pay bills. Conservative activists pay bills. Independents pay bills.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
I sometimes think to myself, you're not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it's great, and there are so many good shows on TV, and I have great books that I'm reading, get out and interact with people.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
Nothing wrong with making money or doing what you need to do to sell, but I think it shows when you're writing something to pay the bills and when you're writing something because it's really your version of the world.
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