A Quote by Mike Scully

I think if you're not offending somebody somewhere, then your show is probably just very bland and boring. — © Mike Scully
I think if you're not offending somebody somewhere, then your show is probably just very bland and boring.
I mean its a weekly occurrence that somebody will complain that Top Gear was on last night - and you just sit back and wait for the complaints. But if you start to pay attention to everyones concerns, you end up with something bland and boring. So you sort of have to ignore everybody in order to do the show how we want to do it.
I'll take on somebody if they're offending the entire culture, not just offending me.
If you're somebody that gets a chance to go somewhere... that has to work somewhere or go to another city, then do your best to see it. Because I just think that's the best way to have an interesting life.
I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."
As a healthy person, my breakfasts are very bland and boring. Think kind of a white pasty gruel. Or there can be an occasional banana over the top.
If you have somebody who can just do everything easily, then it's kind of boring. If you're handcuffed to a chair and you've got to fight while your handcuffed, or something like that, it just adds a cool element.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun. And when I say somebody else, of course I mean Jason Bateman. He's born to play boring characters because he's such a bore. He's one of the most boring human beings.
I think comedy has to be very fearless, or it just gets bland.
I just played at a club in L.A. called the Baked Potato. It fits like 90 people. It's like playing somewhere in a basement in, like, Indiana or somewhere where all your friends show up. It's really fun and there's a very different energy to that than to play to 50,000 at a Tokyo baseball stadium.
If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
You can't just skip the boring parts." "Of course I can skip the boring parts." "How do you know they're boring if you don't read them?" "I can tell." "Then you can't say you've read the whole play." "I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark." "Who knows?" she said. "Maybe you can't.
I think it's because in America you always get the sense that if you fail, you can just pack up your things and go somewhere else and try again. But in England, it's so geographically small that if somebody succeeds here, it reduces your chances of succeeding.
It's completely beyond comprehension that you just can't say anything without offending somebody or the other.
I'm not afraid to take on somebody or say something that somebody will find offensive because unfortunately in comedy, you can't say anything really good without offending somebody.
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