A Quote by Mike Svob
The person viewing your work has no idea what the scene really looked like, nor do they care.
Related Quotes
I like the dueling club scene, where Daniel and I fight with our wands. I thought it was a brilliant scene to shoot. I think the end product looked really good.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
I don't care what the press is about a person that I'm working with. I care about how they come to work every day. I don't care who broke up with who or who is sleeping with who or who went out where. I don't care what you do with your personal life. It's when people take their personal lives into a space where it affects their performance at work, that's when I would stop taking someone seriously.
I remember one afternoon when we were out on a golf course somewhere, and Lauren Bacall, James Garner, and Jack Lemmon were sitting there in deck chairs when I went off to do another scene. And I said something like, "Hey, where have you guys been?" And they said, "Oh, we were down at the clubhouse. We saw your scene!" And Jack Lemmon looked at James Garner, and James Garner looked back at me, and then they both looked back at me and said in unison, "You bet your ass it is!" So I've been up there with the greats. I've had my fleeting moments with theatrical genius.
I like being part of a film scene where the person at the top is a really good person.
I used to put on spray tan, like, three times a day, and it just looked like there was a terrible accident in my bed at all times... it looked like a crime scene.
When I met Elvis, we didn't really have a conversation. I was introduced by my uncle, and he sort of grunted my way. What stays with me is the whole scene. I had never seen a real mob scene before. I was really young and impressionable. Elvis really did look - he looked sort of not real, as if he were glowing.
It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.
Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
I don't really like to work with actors that work a lot and are very well established already. In a way, I like to nurture talent and have it burst on the scene.
Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
Once when I looked up, I happened to see a sea eagle poised on magesterial wings above the knurled summit of the mountain behind my tent. It was a scene of peerless tranquility, tossed out in Nautre's devil-may-care way, which says: Just open your eyes, my friend, and I'll astonish you every minute of your life.
Either you like a person or you don't like a person. I don't have to love somebody to work with them. I'm a professional person. But when you get the bonus of really liking someone and really connecting with them and really enjoying them, it's a fantastic thing.
I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?" Dad sighed as Mom walked in with her empty teacup. "What did I miss?" She said. "Dad's trying to marry me off to Daniel." I looked at him. "You know, if you offer him a new truck for a dowry, he might go for it.
Neither a person nor a nation can exist without some higher idea. And there is only one higher idea on earth, and it is the idea of the immortality of the human soul, for all other "higher" ideas of life by which humans might live derive from that idea alone.
I really don't have a specific idea of where I want my career to go, I just have an idea of wanting to continue to work and work on things that I like and think are good.
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