A Quote by Mike Wallace
I met all these important people and did all these stories, but I always had such excellent producers and assistants. I could show up to interview a world leader or a criminal and they would have things so well prepared anyone could have done it. It wasn't about 'me,' it was about 'us.'
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I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
What I’m sorry about is not being a tipsy idiot when you found me. I’m sorry about that, obviously, but more sorry that my stupidity caused us to lose a great opportunity. I don’t imagine you would have met me and fallen crazy in love with me, but I would like to think that if you’d had a chance to meet me under different circumstances, something just as nice could have happened. We could have become friends.
Like I always say - be where you're at. For me, that means that when I'm home with my family and the phone rings with a number I don't recognize, I don't pick it up; it could be an important call, or it could be a radio interview that I would usually make time for.
He could remember all about it now; the pitiful figure he must have cut; the absurd way in which he had gone and done the very thing he had so often agreed with himself in thinking would be the most foolish thing in the world; and had met with exactly the consequences which, in these wise moods, he had always foretold were certain to follow, if he ever did make such a fool of himself.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
You read in any war stories - World War II, whatever - that there are many, many heroes. There are the main stories you always hear about, but there are all these other little people that did things that were very important that we don't always know about.
I always think about the role models I had when I was a little girl. They really made me feel how big I could dream, they made me feel I could do things that I did not think I could do before. And because of them, I went and did what I did and I am where I am now.
No one could have ever prepared me for the whole world judging me and comparing to other artists. But what's most important is that you have to be a good person and care about others and carry yourself well.
All the writers and producers around us that gave us the environment where we could play. They were able to provide us with a place where we could take chances to play with things, go against the grain and do things that people don't always do.
I could cut silhouettes almost as soon as I could manage to hold a pair of scissors. I could paint, too, and read, and recite; but these things did not surprise anyone very much. But everybody was astonished about the scissor cuts, which seemed a more unusual accomplishment. The silhouettes were very much praised, and I cut out silhouettes for all the birthdays in the family. Did anyone warn me as to where this path would lead? Not in the least; I was encouraged to continue.
In the business world, I did fairly well, but wasn't happy. A bout of sciatica put me flat on my back. All I could do was read, listen to my mother's stories about the Sandovals, and daydream: a return to self. My writing career had begun.
I apologize for my terrible interview skills. I wasn't prepared to expose stories about something so special and wonderfully private that is happening in my life. I guess a part of me wishes that I'd never have to and that maybe I could protect this special time. I was dreaming.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
People started saying I was ignoring my country, making up stories about me. Ludicrous things, like that I throw tea on my assistants.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
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