A Quote by Mike Watt

There was a thing during those times in the '80s where it was like Sex Pistols then Nirvana and nothing in between. — © Mike Watt
There was a thing during those times in the '80s where it was like Sex Pistols then Nirvana and nothing in between.
The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
I might do a solo album, maybe do covers, or do an acoustic thing. No Sex Pistols tours, nothing!
Oftentimes when people make movies about the '80s, they go back and look at '80s films, [but] those look nothing like the '80s. It's some watered-down version of reality.
Nothing contemporary is as extreme or as strongly stated as what the Sex Pistols were able to do in their time.
Nirvana was like that- Nirvana was like the only band to come out of that- it was like the same thing, Seattle was like this whole scene and it was like this big scene that was thrust upon America.
I think in that context, when a generation of kids is that ignorant of their recent history, it does a good job of showing what the Pistols were standing for. It's current and it's in the air, partly because I think nothing contemporary is as extreme or as strongly stated as what The Sex Pistols were able to do in their time, in the '70s. I think the reason to [make the film] is that their ideas are still alive: the defense of the right to be an individual, and questioning everything you read, and questioning all the information that's bombarded increasingly at you.
Unlike a lot of my cohorts from the '80s and '90s who totally blamed the shortness of their careers on bands like Nirvana and Alice in Chains and Soundgarden and whatever, I was very into a lot of those bands.
I think people are too hard on the Pistols. The Pistols started the whole punk thing and never saw much money.
Growing up in the '80s in central New Jersey as a weird kid with a blue mohawk listening to the Sex Pistols and dressing really funky, I was bullied pretty badly. It was every single day in elementary school and kept going into middle school, too. I felt totally alone, without a single person there for me.
Love can become devotion. Love is the first step; only then can devotion flower. But for us even love is a faraway reality, sex is the only real thing. Love has two possibilities: either it falls into sex and becomes a bodily thing, or it rises into devotion and becomes a thing of the spirit. Love is just in between. Just below it is the abyss of sex, and beyond it is the open sky - the infinite sky of devotion.
I wasn't planning on being a guitar player; I was going to be a singer. And I was for a little bit in the Sex Pistols - that is, until we got John Lydon. And then I realized I wasn't really suited as a front guy.
When you do a cover it's a way to get attention clicking on something. At the Quiet Music Festival, The Jicks did this Nirvana song, very unrehearsed and not important, but then all the websites were like, "They covered Nirvana!" People like covers of famous people.
If I cannot hear "The sound of rain' long before the rain falls, and then go out to some hilltop of the Spirit, as near to my God as I can and have faith to wait there with my face between my knees, though six times or sixty times I am told "There is nothing', till at last there arises a little cloud out of the sea, then I know nothing of Calvary love.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
It's not every day you get to create a band like the Sex Pistols, and what it changed, on a musical level. I love that we've done something that was important.
We're Sex Pistols, we ain't fake.
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