A Quote by Mike Will Made It
I was able to bring Gucci and Rae Sremmurd on a track together. It was crazy because it seemed like it was destined to be.
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A lot of people slept on Rae Sremmurd.
I feel like Rae Sremmurd is just a whole new sound culturally. People don't understand, but they learn to understand. The melody choice is different and everything.
That's a skill that I'm proud of: to be able to be a jazz musician and go a bit crazy sometimes and other times be able to pull it all in and lay it down like a track.
When I was still at Interscope, I told them about Rae Sremmurd and we were talking about signing them. I was like, 'This is the hood Backstreet Boys, the black *NSYNC. This is the most ratchet pop is gonna get and this is the most pop hip-hop is gonna get.'
Part of being a great restaurant chef is having an ability to bring all those people together, rather like a captain on a rugby field or a coach. It's also being a great teacher, because I'm only one person in a kitchen of 10 and I need to be able to bring all those people together and to teach them. I need to be able to communicate my thoughts and my process to them.
For me, beauty and fashion are always connected. One doesn't exist without the other. Make up is a key element of the Gucci runway show - it helps communicate the essence of the Gucci woman. Eyes, skin, lips - they're like accessories, all working together to create an unmistakable look.
Then you see something like the Gucci advertising and you're like, "Yes!" It gives you confidence because you feel like you're not alone - you don't have to copy it but you can find inspiration. It's not only Gucci; I feel like everything is moving quickly and there's a lot of excitement and turmoil around these designers leaving their brands, but it feels like it's buzzing. There's stuff happening and I feel like it's always exciting when there's movement.
No shade, and shout out to Lil Pump, but on a track like 'Gucci Gang,' he's not really saying much.
I wanted to be able to bring something together and bring the car community together in a way that hasn't really been done before, especially for the fans of the 'Fast and the Furious' and that entire franchise.
Anytime Pump and I make a track together, it's always crazy.
I think one of the tragedies of the civil rights movement was because the civil rights movement became so court-focused, I think that there was a tendency to lose track of the political and community organizing, and activities on the ground, that are able to put together the actual coalitions of power throughout which you bring about redistributive change. And in some ways, we still suffer from that.
But I'm not crazy about the designers like Prada and Gucci. I hate going into designer stores.
I'm pretty damn obsessed with Gucci. The fashion. It's like a painting! The advertising is beautiful and I've actually never owned one piece of Gucci in my life and then I was in Paris with my husband for shows and we went to Gucci and I got the brown loafers, a boot and a couple sweaters - it's totally how I dress. And I love how they're articulating the girls. They're bohemian and whimsical.
People looked at me - people still look at me - as 'this is Gucci Mane's producer.' But the music that me and Future put together was so different than what me and Gucci do, it just made people look at the music like, 'Hold on - Zaytoven is the real deal.'
I would like to pass unknown in the company. I would like people to ask, 'What did Maurizio Gucci do?' And answer, 'Nothing. Gucci was always like that.'
You have to distinguish between things that seemed odd when they were new but are now quite familiar, such as Ibsen and Wagner, and things that seemed crazy when they were new and seem crazy now, like 'Finnegans Wake' and Picasso.
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