A Quote by Mike Will Made It

I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records. — © Mike Will Made It
I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
People still come up to me and ask me to sign their records. That's right, records! Man, they don't even make records no more!
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
I guess the revival of vinyl records is not helping the environmental problem. Although, in some ways, people don't throw records away - I mean, I still have records from when I was 5. So it doesn't seem quite so wasteful. But maybe I'm just lying to myself.
Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.
Wray's FBI is stonewalling on Clinton email investigatory materials, Strzok-Page texts, Comey records, McCabe records, FISA court abuse records, Spygate records.
The fans are the end result of what we do. Sometimes I think we forget that those are the folks that mean it in this game. There's plenty of evidence to be found that you can have all the #1 records in the world, but if you really ain't touchin' them, you don't come home with gold records and platinum records. I'm very proud that we've only had one #1 record, but we've sold two and one half million!
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
I'm just trying different styles and switching it up, but getting back to rap and the essence and the swag that I brought to the game from records like "Rack City" and "Faded," records like that. I got some good collaborations that people are gonna be excited about.
Records have images. There are wet records and dry records. And big records.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
Guru's like Tupac. He just records and records and records.
It's always cool when you get immortalized on records. I am just happy that I have gotten to the level where rappers who can actually rap say my name in records, regardless if it's a diss or not.
Yes; my brother Bobby used to distribute records at King Records. I had a job there, too, packing records up and shipping them off. But I always wanted to play sessions at Stax, so I figured out a way to do it.
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