A Quote by Mike Will Made It
I first heard Trouble in 2008. At that time I was on my grind, trying to work with all the next-up artists. I had sent him a couple beats; he had done a couple songs. We was always around the same age.
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I think it's silly when people try compartmentalize musical genres. That was always my problem with the chillwave thing - people were trying to make it into some kind of musical movement, when it was not a movement. A couple dudes had a couple songs for a couple months. It's going to be a disparate onslaught of people throwing ideas at the wall.
I did grow up in a very small town, and I only had a couple of people in my year at school. There were a lot of kids to play with - maybe not the same age, but there was always someone around.
There was a study done in the early 20th century of all the entrepreneurs who entered the automobile industry around the same time as Henry Ford; there were something like 500 automotive companies that got funded, had the internal combustion engine, had the technology, and had the vision. Sixty percent of them folded within a couple of years.
The scene I had just witnessed (a couple making love in the ocean) brought back a lot of memories – not of things I had done but of things I had failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back. I envied Yeoman and felt sorry for myself at the same time, because I had seen him in a moment that made all my happiness seem dull.
We had very few things. I had a couple pairs of jeans, a couple shirts. And same with my mom and sister. I think my sister had, like, two toys. We were living off of instant noodles.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
Marc Almond has done a couple of covers, a few people in Europa have done them. I own all the publishing. It's never really been addressed, as I haven't had the time to go out and tout the songs.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
When I first came in the business, I had a couple of close calls on planes going to London for shows. There was one time where the plane had to fly around until a storm ended, and then we started having a question about fuel, so we had to go through the storm. It was the worst thing that ever happened in my life. That really messed me up.
I've done this a couple times, been to a couple different camps and a couple different AAU practices to talk to kids. I tell them you have to be dedicated, have to decide if you want to be a serious basketball player or not. They always ask, 'What if you get discouraged?' You have to remember what your goal was in the first place.
At a young age I always had an entrepreneurial spirit. So I'm trying to develop things on my own, too, and there are a couple things that have absolutely nothing to do with the entertainment business that I'm trying to tackle. We'll just sort of see.
Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
When he finished up with the Twins and even after he was done, he was always down on the field, so I had a chance to talk to him every time we came into town. Even my first couple of years - when I was still wet behind the ears - he was more than willing to come over and say, 'Hi.' Obviously, he didn't have to introduce himself, but he spent a little time and asked me how I was doing. And it always meant a lot. Anytime you have somebody of that stature on and off the field to take time and be willing to come talk to you, it means a lot.
I've sort of remarried a few years ago and have had a couple more children in the last couple of years. And so home life is taking up a lot of my time.
When I had my first gig, I was 18 in January in 2007. My first gig that I got paid, I was playing for 10 people in a 250 people capacity venue. The promoter wanted to book me because he liked my music. I played a couple of songs that made people dance. To me, that rush has always stayed the same.
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