A Quote by Mike Will Made It
Those are two artists that I worked with real closely. Me and Miley are real close, me and Future are real close.
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If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
Me personally, I'm real close to my mom. She raised me. It was a single-parent home situation. She did everything: cooked, worked two jobs, came home late, but she loved me to death.
Suburbia is too close to the country to have anything real to do and too close to the city to admit you have nothing real to do.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
It's weird how people who are the least close to me or who've never even met me purport to be experts on the real me; and then, sadly, there are those who could be in touch with me but prefer to gossip with strangers about me instead.
I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form.
I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.
Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.
You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.
I wanted to be as close as I could to the Really Real, and I'll capitalize both of those R's, because God is a word that means different things to different people, but we might all agree it's what is most real.
I don't throw around the word 'brother' because I'm so, so close to my real-life brothers and my real-life sisters, and being a brother is so important to me.
In 2000 I was really close to sign for Real Madrid. I was in Belgium, playing the European Championship. I even took a picture with the Real Madrid shirt because all the parties thought that it was a done deal. But Wenger called me several times and convinced me to sign for Arsenal instead.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
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