A Quote by Mike Young
All poetry is political, to some degree.
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But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
Political means so many things. We are political willy-nilly. Political poetry is an easy invitation to disaster. But then so is love poetry. But we are a little more patient with bad love poetry.
Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.
My feeling is that most political poetry is preaching to the choir, and that the people who are going to make the political changes in our lives are not the people who read poetry, unfortunately. Poetry not specifically aimed at political revolution, though, is beneficial in moving people toward that kind of action, as well as other kinds of action. A good poem makes me want to be active on as many fronts as possible.
I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat; it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
As for political poetry, as it's usually defined, it seems there's very little good political poetry.
There's a sameness about American poetry that I don't
think represents the whole people. It represents a poetry
of the moment, a poetry of evasion, and I have problems
with this. I believe poetry has always been political, long
before poets had to deal with the page and white
space . . . it's natural.
Poets are political, they have to be reflections of their times [because] they're living in their times... Poetry is political in that it's standing in opposition to fascism. Good poetry asks a bunch of questions and asks the audience to interact with themselves or see themselves in it; maybe you like it or you don't like it. But the fascist sort of stuff plays on your fears and tells you to jump on the party line and gives some simple excuses - blame this person.
You can judge the moral bearing of a political system, a political institution, a political man by the degree of danger they attach to the fact of being observed through the eyes of a satiric poet.
Poetry brings all possible experience to the same degree: a degree in the consciousness beyond which the consciousness itself cannot go.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
One wonders how far spiritual and political leaders can genuinely lead us without some degree of mystical seeing and action.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
... the whole of society in Washington is to some degree political. It is like no other capital city known to me, in that political thinking, the whole business, technical and personal, of politics, is not diluted by an equal interest in art, industry, amusement, anything you like. I don't meant that these are non-existent in Washington -- only that they are subdued to the ruling passion.
Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.
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