I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
I don't know about others, but I want to work in India, America, Iran, Europe, and Russia - everywhere. I am a sucker for good script; I'll go wherever it'll take me.
Some interviewers aren't even interested. They're just doing it because they gotta do it. Life is nothing without passion. Whatever you're doing, at least be passionate about it because I'm passionate about what I'm doing. I'm passionate about the words I'm saying right now. Just be passionate. When the interviews is passionate, it's more conversational and we're not covering the same ground.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
Donald Trump wins 2,623 counties and Hillary Clinton with 489. You know how many counties independents won? Zero. Just like they always have. Not one county. Independents did not win one county. The exception to that, 1992 when Ross Perot won 15. The independents don't win anything. That's why I've always - the precious independents and the moderates and so forth. So much bohunk out there.
As long as you know yourself and you got good people around you and you passionate about what you do, that's all that matters because at the end of the day, you go to sleep with the people you love, you wake up with the people you love, and you spend your time with the people you love.
I talk about things I'm passionate about. I talk about the wrestling business, because I love wrestling. I just love it. If I can just have good conversation with a guy who was a bada** wrestler, we're talking about something that's very near and dear to our heart.
I always tell people, good coaches are a dime a dozen. Good coaches that are good people, good husbands, good fathers, that love their players and are passionate about doing things in a way that I believe is important, that pool gets real small.
When you're in a creative flow with somebody - and I had this back in architecture school - you're just so passionate about what you're doing, and if that other person is just as passionate, you'll be madly in love with them. It's just that thrill of creating.
To do stories that I love, scripts that I love, and work with people who are passionate about them and passionate about projects - whether that's on stage or television or film, that's the kind of environment I want to work in.
People who are passionate about Warby Parker are passionate about creating a company that can scale, be profitable, and do good in the world - without charging a premium for it.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
I get inspired with passion, I think. I get inspired by people who are just passionate, and it doesn't matter what they do or what they're passionate about. I just think passion is such an embraceable thing, whether it's the guy in the coffee shop who's making the coffee or a bricklayer who loves making walls. I love watching people who love what they do, and I think that's very inspirational.
How many people do you know who love their jobs? Did your dad love his job? Was he passionate about it? Because I am. I love it. I love the relationships. I love teaching. I love the competition. I love everything about it.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.