A Quote by Mikhail Baryshnikov
He [Astaire] was not a sexual animal, but he made his partners look so extraordinarily related to him.
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Astaire was not a sexual animal, but he made his partners look so extraordinarily related to him.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
[Man] is the only animal who lives outside of himself, whose drive is in external things—property, houses, money, concepts of power. He lives in his cities and his factories, in his business and job and art. But having projected himself into these external complexities, he is them. His house, his automobile are a part of him and a large part of him. This is beautifully demonstrated by a thing doctors know—that when a man loses his possessions a very common result is sexual impotence.
Man is a Religious Animal. He is the only Religious Animal. He is the only animal that has the True Religion--several of them. He is the only animal that loves his neighbor as himself and cuts his throat if his theology isn't straight. He has made a graveyard of the globe in trying his honest best to smooth his brother's path to happiness and heaven....The higher animals have no religion. And we are told that they are going to be left out in the Hereafter. I wonder why? It seems questionable taste.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
When he comes, he makes a noise deep in his throat that is so raw and animal and sexual that I think if he merely looked at me and made that noise, I might explode in an orgasm.
Fred Astaire is my hero. I love him because he was willing to kill himself to make his art look effortless. And because he proved it's possible to be an artist and a good person.
Man is more than merely an animal to exist and propagate his species. His mind gives him capacity to search out the great truths in God's arrangement and this lifts him far above the other animal creation.
Man is an Animal, formidable both from his Passions and his Reason; his Passions often urging him to great Evils, and his Reason furnishing Means to achieve them. To train this Animal, and make him amenable to Order; to inure him to a Sense of Justice and Virtue, to withhold him from ill Courses by Fear, and encourage him in his Duty by Hopes; in short, to fashion and model him for Society, hath been the Aim of civil and religious Institutions; and, in all Times, the Endeavour of good and wise Men. The aptest Method for attaining this End, hath been always judged a proper Education.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
The reality of man is his thought, not his material body. The thought force and the animal force are partners. Although man is part of the animal creation, he possesses a power of thought superior to all other created beings.
A peer relationship is one where the partners experience an affectionate, companionate coupledom. They are friends. They are the product of the egalitarian model; they are good life partners, but are often less sexual.
Man is an extraordinarily fixed and limited animal whose nature is absolutely constant. It is only by tradition and organisation that anything decent can be got out of him.
The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
It meant that Diana had not waited for any explanation, however halting and imperfect, but had condemned him unheard; and this showed a much harder, far less affectionate woman than the Diana he had known or had thought he knew - a mythical person, no doubt created by himself. It had of course been evident from her letter, which made no reference to his; but he had not chosen to see the evidence and now it was absolutely forced upon his sight it made his eyes sting and tingle again. And deprived of his myth he felt extraordinarily lonely.
Even such an obvious idea as to observe an animal with vertigo or to rotate an animal did not occur to him, in spite of the fact that he conducted numerous vertigo experiments with human subjects and made frequent use of animal experiments.
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