A Quote by Mikhail Baryshnikov
If your only dance experience is the Nutcracker, it will be a shock; hopefully shocking in a good way.
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You cannot dance an arabesque in 'Swan Lake' and 'Nutcracker' the same way.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
We never really tried to shock for shock's sake on 'Family Guy.' If something was horribly offensive and shocking we would put it in if it was also hysterically funny.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.
The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
I just try and do the best with every role I get to do. Hopefully the experience in itself is a good experience and people will want to work with me.
I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
Hopefully, we will become a stronger democratic society and avoid falling into xenophobia. Hopefully, we build good relationships with our neighboring countries and, rather than acting for profit for the current generation, acting in a way that will ensure we leave natural resources for future generations.
I think dance is amazing because what people don't realize is like when you dance your spirit and your soul get ignited. You're not only releasing endorphins, but also your spirit is awakening. It makes you feel good and happy.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
The secret to happiness is to lower your expectations. ...that is what you compare your experience with. If your expectations and standards are very high and only allow yourself to be happy when things are exquisite, you'll never be happy and grateful. There will always be some flaw. But compare your experience with lower expectations, especially something not as good, and you'll find much in your experience of the world to love, cherish and enjoy, every single moment.
I went to 'The Nutcracker' every year with my grandma and aunt. Then, in my early teen years, I thought I wanted to be a ballet dancer. I went real gung-ho in that direction, and I started performing in 'The Nutcracker.'
Sometimes the best set experiences make for the worst films. So, you don't want it to be too good an experience! But the bulk of your life is working with people and collaborating so you don't want anyone to be miserable on your film either. You want it to be something that people walk away from saying that it was a good experience for them and hopefully a good film. As a director, you are sort of leader of that troupe for that period of time, so you're aware of morale and your effect - how you are as a person and how that sort of trickles down to everyone else.
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