A Quote by Mikhail Baryshnikov
I'm a product of Russian culture, but I never felt it was my country.
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I am proud of Russia and I am sure that the vast majority of Russian citizens have great love and respect for their Motherland. We have much to be proud of: Russian culture and Russian history. We have every reason to believe in the future of our country. But we have no obsession that Russia must be a super power in the international arena. The only thing we do is protecting our vital interests.
Culture is a product of law. And laws create norms for society. This is why anyone who wants to change the culture of a country must try to change the norms of the country.
Well, when you're an immigrant writer, or an immigrant, you're not always welcome to this country unless you're the right immigrant. If you have a Mexican accent, people look at you like, you know, where do you come from and why don't you go back to where you came from? So, even though I was born in the United States, I never felt at home in the United States. I never felt at home until I moved to the Southwest, where, you know, there's a mix of my culture with the U.S. culture, and that was why I lived in Texas for 25 years.
The status quo is a product of our culture or our culture is a product of the status quo - I'm sure which is the effect and which is the product - there is probably a feedback loop there that is mutually reinforcing. But we have a culture that says "Hey, look around. This place called Earth was created for you and you can do anything you want with it."
I've travelled to some of the places where Russian language and Russian culture were made part of the fabric of life long before Lenin arrived at Finland Station - and where Russian is now being rolled back, post-1991.
Russia itself is a European country, and not just because our major political and economic centres are in Europe, but because Russian culture is primarily European culture.
This is my country. The Russian people are in bit of trouble. Russian court doesn't work. Russian education decline every year. I believe that Russia has a chance to be free. Has a chance. It's difficult, but we must do it.
I consider myself Russian-American because I'm American by ethnicity and by passport, but I spent all my forming years over in the former Soviet Union in a Russian school. I never went to an American school. There was a lot of culture shock when I moved back to the States when I was 17.
Some Russian ballet master woman said there's no culture in America, but if you look you can find interesting stuff in this country, don't you think?
There's competition among women everywhere you go. But back home, we understand that you can look like a variety of things and still be from the same culture. What I'm saying is that I've never felt like I was a light-skinned black woman. Never felt that way because we shared the same culture back home.
I took a Russian class at Notre Dame. Never in my wildest dreams did I think I would fly someday in a Russian spacecraft with two cosmonauts, speaking only Russian.
Ballet is certainly appreciated in New York, but it has been a part of the Russian culture, history and heritage for hundreds of years, so it's much more instilled in the Russian blood.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
I can't tell you how much I love Target and Costco, that kind of culture, because it's something I never felt a part of. I've always felt like a tourist because I have never fit in anywhere.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of the culture, and it's the name of the identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls.
All of us somehow felt that the next battleground was going to be culture. We all felt somehow that our culture had been stolen from us-by commercial forces, by advertising agencies, by TV broadcasters. It felt like we were no longer singing our songs and telling stories, and generating our culture from the bottom up, but now we were somehow being spoon-fed this commercial culture top down.
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