A Quote by Mikhail Baryshnikov

When I see people on the street, I look at how they walk. It's like a signature, a fingerprint. — © Mikhail Baryshnikov
When I see people on the street, I look at how they walk. It's like a signature, a fingerprint.
Whether you're walking the catwalk or whether you're in front of the camera, there's no such thing as a signature pose or signature look or even a signature walk.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
Sometimes I walk down the street and hear people whisper 'that's Tricky' and I look back, and I see them looking back, then that affects everything I do - the way I walk the way I talk. It stops you being real.
I walk through the hotel and I walk down the street, and people look at me like I'm [expletive] insane, like I'm Hitler. One day the light will shine through and one day people will understand everything I ever did.
In Miami, you can walk in the street and see people. It's like Brazil.
It all depends what you look like. If you look like hell and walk down the street, they think you're just another bum. If you're being cool, you TV people don't get recognized. But if you're going to sign autographs and records, then you'll have some trouble.
I used to walk down the street like I was a super star... I want people to walk around delusional about how great they can be - and then to fight so hard for it every day that the lie becomes the truth.
I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.
Look in my eyes, see what I see Do what I do, be what I be Walk in my shoes, hurt your feet Then know why I do dirt in the street.
When I walk on the street, I see people looking like me and not stick thin.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
People ask me questions like, "Oh, you look so theatrical in your photographs. Is that what you're like when you walk down the street?" It's like, "Of course not." It's such a silly question - it's like being theatrical is a crime.
People ask me all the time, 'How can I walk in these heels?' I answer with the best compliment I remember that came from a woman who lives here in Paris...I know my street much better. Heels permit me to take the time to look at the architecture of my street. Now I take time to look at things.' High heels give you time to think, to look at your surroundings- a camel has seen more in life than a very quick horse! Women should live to rhythm of high-heeled shoes!
This site uses cookies to ensure you get the best experience. More info...
Got it!