A Quote by Mikhail Baryshnikov

Now there is in a way a renaissance of modern dance - suddenly, it is more respected and discovered. — © Mikhail Baryshnikov
Now there is in a way a renaissance of modern dance - suddenly, it is more respected and discovered.
Today, you can gain a bunch of followers doing a dance in a cute bikini, and suddenly, you're a superstar. Or you could just be a beautiful girl posting pictures of yourself and get discovered that way.
The modern dance is no dance in the first place, and when you've finally learned it, it's not modern any more.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.
I have been interested in the 12th century since my 20s when it was very fashionable to say of anybody with whom you disagreed, which was basically anybody over the age of 30, "One of the great minds of the 12th century", and one day I thought, "I don't know anything about the 12 century." So I started buying books, reading about it, and I discovered it was a period of great flowering, it was a Renaissance before what we think is the Renaissance, the Italian Renaissance of the 16th century.
There's a style in modern dance right now called Release Technique. It's based on a feeling of falling and catching yourself, and I thought it was such a good metaphor for the way life feels.
The dance community suddenly came alive with programs like 'So You Think You Can Dance,' 'America's Best Dance Crew' and 'Dancing With The Stars.'
I'm not bragging but I used to be rather beautiful, with lovely legs, and people would always ask me to dance. But suddenly people didn't take any notice of me any more. I was at a party in my 50s and was forced to dance with a chair because nobody wanted to dance with me.
I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.
Twerking - and it's a lot more than twerking - comes from a long history of music and dance in New Orleans. Twerkin' happen around the world for a long time now, so I'm very excited that it's coming into the public eye, as long as it's respected.
Modern physics had shown that the rhythm of creation and destruction is not only manifest in the turn of the seasons and in the birth and death of living creatures, but is also the very essence of inorganic matter. For modern physicists...Shiva's dance is the dance of subatomic matter.
I have discovered the dance. I have discovered the art which has been lost for two thousand years
I'm a modern-day renaissance man.
The older I get, the more I dance like my dad, and I'm finding that suddenly cardigans are becoming more attractive to me.
And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.
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