A Quote by Mikhail Bulgakov

The procurator studied the new arrival with avid, and slightly fearful eyes. It was the kind of look one gives someone one has heard of and thought a lot about, and whom one is meeting for the first time.
When I heard Puerto Ricans in New York City, it sounded very strange. And the first time I heard someone from Spain, I thought they had a speech impediment!
A friend is someone with whom I can reveal many parts of me, even those I am meeting for the first time.
And so I have studied, I have to tell you, revolutions and uprisings for a long time. They are all slightly different, but what they all look for is some kind of a mechanism to go from an authoritarian system to an open, democratic system.
I have always understood the unbelieving look in the eyes of those whom success touches early - it is a look half fearful, as though the dream were still in the process of being dreamed and to move or to speak would shatter it.
A lot of people heard about gin and juice for the first time from Snoop Dogg, but it was nothing new in rap music, and it was nothing new in the black community.
As a chef and avid traveler, meeting new people and sharing a meal with the intent to learn more about their culture is important to me.
The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
When I was praised I lost my time, for instantly I turned around to look at the work I had thought slightly of, and that day I made nothing new.
The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice.
A soulmate is someone you can completely be yourself with. Someone with whom you share unconditional love and when you look into each other's eyes, you know that you are home.
I think the legacy left behind by 'Battlestar' speaks for itself. I thought that these avid fans, most of whom were skeptical at first... to turn them into a fan of 'Caprica' as well is a daunting task, a big challenge.
I began to learn about the camera and the actors. That gave me a lot of the skills. At the same time, advertising gives you a lot of vices, for example, an obsession for a superficial look, but at the same time, it gives you the capacity to synthesize the story - tell a story in one minute.
When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.
If you look at astronauts closely, their eyes look kind of puffy. And it gives you this mild headache. But one of the advantages of that, if you will.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
My first impression when I heard 'Heaven' was, 'Do not let anyone else have that song! I'm putting it on hold.' I knew it was special from the first time I heard it, and I thought my fans would love it as much as I did.
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