A Quote by Mikhail Gorbachev
Water, like religion and ideology, has the power to move millions of people. Since the very birth of human civilization, people have moved to settle close to it. People move when there is too little of it. People move when there is too much of it. People journey down it. People write, sing and dance about it. People fight over it. And all people, everywhere and every day, need it.
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There are three sorts of people in the world: Those who are immovable, people who don't get it, or don't want to do anything about it; there are people who are movable, people who see the need for change and are prepared to listen to it; and there are people who move, people who make things happen.
Americans are very mobile and move around and choose the communities they want. On the ocean people would be even more mobile and empowered to link up with people they enjoyed, and detach and move away from people they did not. Increasing choice is a way to foster fulfillment in people's lives. I choose my friends and I'd prefer to choose my neighbors too.
There is no question that a very large number of people have to move; you cannot live where the water comes over you. I have not heard one suggestion on how we are going to move one hundred million people out of low-lying areas and what countries would be willing to accept them.
If resources become scarce, people tend to fight for them. This is increasing the number of people on the move and the number of people forced to move. They're not refugees, according to the legal definition, but they represent a major humanitarian and human rights challenge, as well as a major challenge for world politics.
What we are talking about is extended world war...People would move on a massive scale. Hundreds of millions, probably billions of people would have to move.
I truly do live my life a day at a time. When I talk to people trying to get through anything, it's a day at a time. If people stop to think, "It's going to be potentially three years and 10 months for the new president to come in," that's a very long time and that can have major effects on somebody's psyche. But if you take this thing a day at a time, and break it down a little differently, and do what you can do today, it will make it easier for people to move forward, and it makes it easier for me to move forward.
I simply find that as a songwriter, my goal is to try to move people. And I feel that before I can move other people, I have to genuinely be able to move myself.
There are young people today that move like old people from eating too much junk food and not getting enough exercise.
How do people move on after they've lost the love of their life? It's a really interesting thing to look at. It happens to people every day: you see people... even in the worst, most war-torn places, people get up and continue with their lives. And it's a fascinating thing about human nature. That ability to just continue on.
Black people dance well because we start early - there's music being played everywhere. White people? They don't start dancing until they get to college, and by then, it's too late; the bottom don't move with the top no matter how hard they try.
Aid workers, when handing out food to starving people, quickly learn that the people fighting for it at the front are the people who need it least. It's the people sitting quietly at the back, too weak to fight, who need it the most. And so too with tragedy.
I love to watch people not care too much about the choreography, or if they sing perfectly, or if the right label people are there to watch them. It's just about letting go and being crazy and engaging people in dance and madness - being a human instead of a doll.
When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business. I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart.
I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
Why do people move? What makes them uproot and leave everything they've known for a great unknown beyond the horizon? ... The answer is the same the world over: people move in the hope of a better life.
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
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