A Quote by Mikhail Gorbachev

If people don't like Marxism, they should blame the British Museum. — © Mikhail Gorbachev
If people don't like Marxism, they should blame the British Museum.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
If there was a little room somewhere in the British Museum that contained only about twenty exhibits and good lighting, easy chairs, and a notice imploring you to smoke, I believe I should become a museum man.
Marikana should not have happened. We are all to blame, and there are many stakeholders that should take the blame. But taking the blame should mean that we should make sure it never, ever, happens again.
The British Museum was our first real museum, the property of the public rather than the monarch or the church.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
My favourite museum is the British Museum.
There is no such thing as abstract Marxism, only concrete Marxism... The Sinofication of Marxism - that is, making certain that its manifestation is imbued with Chinese peculiarities - is a problem that must be understood and solved by the party without delay.
I remember sitting in front of the British Museum and having a moment - an epiphany, I guess - that I just had to live here. And now that I have grown to understand the British sense of humour here, I love the culture, too.
I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
When I was a kid, I thought history was the most boring subject of all. I shouldn't blame my teachers; I should blame me, but I'll blame them.
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.
British people are surprised that I'm British! It's extraordinary, I get tweets every day from British people saying, 'I had no idea you were British.'
Sometimes a politician gets up and talks about British values and what we think that means, and we can be knocked down quite harshly, but I don't think we should be. I think we should be able to talk about British values and about immigration without people saying, 'Oh, you're just being like a crazed other party.'
That Marxism should triumph in Russia, where there is no industry, would be the greatest contradiction that Marxism could undergo. But there is no such contradiction, for there is no such triumph. Russia is Marxist more or less as the Germans of the Holy Roman Empire were Romans.
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