A Quote by Mikhail Kalashnikov

We had grain but no mills, so I designed a special mill of wood so we could make flour. — © Mikhail Kalashnikov
We had grain but no mills, so I designed a special mill of wood so we could make flour.
The village had a mill near it, situated on the little creek, which made very good flour. The population consisted of civilized Indians, but much mixed blood.
My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
The great philosophers of the past who wrote so beautifully - Rousseau, John Stuart Mill - had to write beautifully because they had to sell their work to journals. They had to sell books to the general public because they could not hold positions in universities. Mill was an atheist, and, therefore, could not hold a position in a university.
But the sound of water escaping from mill-dams, &c., willows, old rotten planks, slimy posts, and brickwork, I love such things. Shakespeare could make everything poetical; he tells us of poor Tom's haunts among "sheep cotes and mills." As long as I do paint, I shall never cease to paint such places. They have always been my delight.
In God's mill even chaff becomes flour.
The plantations in the Hilo district enjoy special advantages, for by turning some of the innumerable mountain streams into flumes, the owners can bring a great part of their cane and all their wood for fuel down to the mills without other expense than the original cost of the woodwork.
Mathematics may be compared to a mill of exquisite workmanship, which grinds you stuff of any degree of fineness; but, nevertheless, what you get out depends upon what you put in; and as the grandest mill in the world will not extract wheat-flour from peascods, so pages of formulae will not get a definite result out of loose data.
Can a woodchuck chuck wood? Because the question is, "how much wood could a woodchuck chuck if," so you haven't established or proved without any shadow of a doubt that a woodchuck could chuck wood. Frankly, I believe that they chew wood. I don't think they can chuck wood at all! I take offense to the whole chucking question.
You could be the Mega Mage of wizards. You could rule Minionfire. Do you really think so?' Yeah, but you'd have to make a deal with the wood elves.' I don't like the wood elves.' They're okay. They're misunderstood.
The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
Learn to sustain yourselves; lay up grain and flour, and save it against a day of scarcity.
Analysis kills spontaneity. The grain once ground into flour springs and germinates no more.
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
Batters are made by combining some sort of flour - usually wheat flour, though cornstarch and rice flour are not uncommon - with a liquid and optional leavening or binding ingredients, like eggs and baking powder.
No varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself.
I tried one [lavash], just because, I was like, "I should know what it is," once I got the part. And it's all right. It's like if a matzo and a flour tortilla had sex and had a baby. It's a dry flour tortilla.
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