A Quote by Mikhail Tal

I will not hide the fact that I love to hear the spectators react after a sacrifice of a piece or pawn. I don't think that there is anything bad in such a feeling; no artist or musician is indifferent to the reactions of the public.
Being a musician - and I like to think of myself as a musician with a capital M - you need to be an omnivore, and I think the best musicians will listen to anything and love everything, and I do.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
I've always liked rooms where the party hasn't started yet...I love the feeling that anything could happen. After the party, when anything already has happened, there's usually the inevitable fact to face that anything wasn't all you'd hoped it to be.
Most beginners who have learned the point system will only consider a sacrifice if it leads directly to checkmate or if the material can be won back by force. A Grandmaster, though, will frequently sacrifice for less tangible compensation, such as a lead in development or a superior pawn structure.
The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.
This is entertainment, not Judaism, I think the general public will celebrate this, but the religious public will be indifferent. (on Madonna's visit to Israel)
I love seeing people react to my music. Its like a drug, one of the strongest drugs ever in my opinion. Not that I'?m doing drugs.. I just love that feeling. Putting out a feeling and having it really be the one is more addicting than anything in my life now.
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs.
My platform's called Don't Even Think About It. I go to schools and I say, 'Whatever bad thing it is you're thinking of doing, don't even think about it. 'Cause I can see into your soul, and I will hide in your closet and come for you in the night, and the last sound you ever hear will be my sharp teeth popping through the flesh of my gums, ready to eat you.' Their eyes get all big. It's awesome. I love little kids, man. They're the cutest
When you label so much of what happens to you as 'bad,' it reinforces the feeling that you are a powerless pawn at the mercy of outside forces over which you have no control. And - this is key - labeling something a bad thing almost guarantees that you'll experience it as such.
I'm so public about my love life I'm really not trying to hide anything.
I tried the plan of talking incessantly myself, so as to hide the fact I didn't hear anything they said, the result was nobody paid the slightest attention to my (doubtless brilliant) remarks.
The artist who is after success lets himself be influenced by the public. Generally such an artist contributes nothing new, for the public acclaims only what it already knows, what it recognizes.
Every musician in the known universe has signed a bad piece of paper, myself included. But it's really very simple. You're the artist. It's your picture that's going on the CD cover, nobody else's. Protect yourself. Get a good lawyer. You'll kick yourself later if you don't.
I think the true artist - musician, dancer, writer, actor - a true artist is able to sort of articulate pain and tragedy, in a way that sort of expresses what the listener or the beholder may have been feeling but was less able to communicate.
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