A Quote by Mikis Theodorakis

For films, I'm very difficult. — © Mikis Theodorakis
For films, I'm very difficult.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
The winters are too long, and there's only one airline, so it's difficult to escape when you feel frustrated or claustrophobic. The audience for our films isn't very large, so it's difficult to support an industry. But, Iceland is beautiful. Sometimes it's hard to imagine living anywhere else.
It is very difficult for a South Indian to do well in Hindi films. But I have been very sincere and have put in a lot of hard work.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
Sometimes it's more difficult to do very simple, low-key films.
I find that on most films it's very difficult to have a backlit movie in an exterior.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
The business of looking good is very difficult. This has often made me consider retirement from films.
When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
It's difficult to get films made, especially films about poets.
In films murders are always very clean. I show how difficult it is and what a messy thing it is to kill a man.
It is very difficult to make films like 'Madras Cafe' in India, given the diverse nature of the country.
It's great to make strong, powerful films, but in terms of people wanting to finance them, it's also very difficult.
People have said that my films are very difficult to watch, that they're experiences you are put through rather than ones you enjoy, and it's true.
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