A Quote by Mila Kunis

The downfall of the industry is that there is a lot of pressure in it, a lot of rejection in it and a lot of competition in it. It's a whole mess. — © Mila Kunis
The downfall of the industry is that there is a lot of pressure in it, a lot of rejection in it and a lot of competition in it. It's a whole mess.
I'm sure a lot of people go into this industry quite blind as to what it will be like. There's a lot of rejection, but I knew that. My parents have been super-supportive, they told me from the start, 'Just keep going.'
There are no guarantees in the music field. There's a lot of rejection, a lot of criticism and a lot of disappointment. You have to be prepared for that. And after 1973, it just wasn't happening for me.
There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
There is a lot of pressure on organizations and on players to win it all. If you don't, there is a lot of disappointment and a lot of fallout because of it.
I've always had a lot of pressure on myself, but I'm not going to lie, I feel a lot of pressure to give the fans everything they expect plus more.
A lot of players are slow to change, you're playing good,( you think) why do I want to mess with that ? It takes a lot of testing, a lot of practice and observation of the ball, especially under competitive circumstances, to realize this is a better product and I need to start using it.
The music industry is hard work, especially for women. A lot of people pit us against each other, comparing two body types or two women that are completely different. It's a lot of pressure.
I'm what you call a good, old-fashioned working actor who has had delusions of grandeur for my entire career and has known what I want to do, but there's a lot going on out there. There are a lot fewer films being made, and there's a lot of competition.
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
A lot of people say, 'Do you feel a lot of pressure?' There's not that much pressure, to be honest.
That's part of this industry. It's hard a lot of the time, especially when you get knocked down a lot. There's a lot of criticism and it's always in the back of your mind that you may never work again.
I think initially, the record industry struggled a lot with digital media because there are a lot of aspects to it that can potentially destroy our industry.
I played with a lot of great players before. They're all the same. They take a lot of responsibility for their own play, put a lot of pressure on themselves to perform and to play well.
If you can figure out what their motivation is, then you're ahead of the game. I think that's why a lot of people who are in this industry don't have a lot of friends - but have a lot of acquaintances - because you never know what everyone's ulterior motives are.
Waking up every morning with a company is a lot of pressure. But when you're aware of what other people are waking up with, it's a whole lot easier.
There's a lot of pressure to release a game early. In Syndicate's case there was a lot of pressure from us on distributors Electronics Arts to release it in March '93, and I said no.
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