A Quote by Mila Kunis

If I could go back to my younger self, I'd be like, "Not everything's permanent." — © Mila Kunis
If I could go back to my younger self, I'd be like, "Not everything's permanent."
I would like to change everything, but obviously not everything. I've been incredibly fortunate. I guess everybody would do this, but I'd go back to my younger self and say, "Lighten up. Take it easy. Relax. Don't be so anxious about everything. Try to be in the day. Try to not have today stolen from you by anxiety about yesterday or tomorrow."
If I could go back to my younger self, I would never have had the implants done. I feel relieved and I feel proud for removing them now.
If I could send a message back to my younger self, it would be: Do not work for the State Department at all.
In hindsight, if I could go back in time and relay a message to my younger self, I would tell him to work on his time keeping, and that the job of a drummer is not to be the one that gets noticed the most on stage, or to be the fastest, or the loudest. Above all, it is to be the timekeeper.
If I could go back in time and tell my younger self that eventually that I'd become very successful writing Dune books after Frank Herbert's death, I would have laughed myself silly, I think, at how strange that prospect would be.
In trans-border relations, there are no permanent friends or permanent enemies or even permanent borders. There are only permanent interests and everything should be done to secure these interests.
All you do is you go back to the Maida Vale Studios at BBC in London, and it feels like you're in a spaceship. It feels like you're in 2001 or something like that. It's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. Listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. I can't identify with a nebulous cloud.
And we could have all this,' she said. 'And we could have everything and every day we make it more impossible.' 'What did you say?' 'I said we could have everything.' 'We can have everything.' 'No, we can't.' 'We can have the whole world.' 'No, we can't.' 'We can go everywhere.' 'No, we can't. It isn't ours anymore.' 'It's ours.' 'No, it isn't. And once they take it away, you never get it back.
People have asked if I would go back to my 20s, and I'm like, "Only if I could hold onto the wisdom and the things that I've learned." But in reality, I don't think I'd want to even go back then. I'm so happy with where I'm at. My life is very content. Everything feels really good. I wouldn't want to change any of that. I'm happy for all the ups and the downs, and everything that has led me to where I am. I wouldn't want to lose any of that.
The search for total knowledge starts from the Self and finds its fulfillment in coming back to the Self, finding that everything is the expression of the Self - everything is the expression of my own Self.
His older self had taught his younger self a language which the older self knew because the younger self, after being taught, grew up to be the older self and was, therefore, capable of teaching.
If we look at the world with a deluded body and mind, we will think that our self is permanent. But if we practice correctly and return to our true self, we will realize that nothing is permanent
I feel like I've accomplished everything I could in the dunk contest. It would be hard for me to go back and outdo myself.
Now that I'm almost forty, I look back at some of the decisions I made when I was younger - decisions that I thought of as courageous, or generous, or otherwise befitting a writer; befitting someone who had taken it as their life's goal to understand the human condition - and I wish I could go back in time and be like, "Hey, you don't actually have to do that - you're allowed to look out for yourself a little bit."
When I was younger and was working as a Dia guard I would go to see everything. I went to every opening. I was really interested in seeing and learning as much as I could.
As a writer, you live in permanent self-doubt; youre on permanent trial.
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