A Quote by Mila Kunis
[Oz the Great] it's not like I had to imagine things, and as far as wire work goes, I had fun with it.
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There's a little wire work, which is so much fun. You can fly, it's amazing. But I've had to mostly just sort of kung fu, you know, ground work. Footwork and stuff like that.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I judge movies on how much fun I had while I was doing them. I had a great time on 'The Right Stuff.' Doing that was fantastic. And there was the year I did 'The Rookie' and 'Far From Heaven,' which was amazing because those two different roles were just so far apart.
I had some things I had to fix. It took me 14 years to do it. But it was never really fun back in the day to work with directors who were a lot older and were like authoritarian and talking to you like that.
As you can imagine, those who had fallen this far had been so worn down by their tortures in the seven other hells that they no longer had the strength to cry out.
We do all like to get things inside a barb-wire corral. Especially our fellow-men. We love to round them up inside the barb-wire enclosure of FREEDOM, and make 'em work. Work, you free jewel, WORK! shouts the liberator, cracking his whip.
Imagine a school-boy who has outgrown his clothes. Imagine the repairs made on the vestments where the enlarged frame had burst the narrow limits of its inclosure. Imagine the additions made where the projecting limbs had fairly and far emerged beyond the confines of the garment. Imagine the boy still growing, and the clothes, mended all over, now more than ever in want of mending - such is chemistry, and such its nomenclature.
I feel my time in baseball has come and gone. I feel like I had a great career. I had a lot of fun and have a lot of great memories. At one point in time, I'll be able to tell it all. Right now that's in the past. I see things differently. I more want to help.
'The Wizard of Oz' is my favourite. It explains what life on this planet is about. Although Dorothy reaches Oz, she finds she had what she needed to go back to Kansas all along, but the Good Witch tells her that she had to learn it for herself. All of the answers to the meaning of life are there.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I had soaked up all of these ideas about what it meant to be a creative person from media and culture. And I had this idea in my head that if this was your calling it was supposed to be fun. It was supposed to feel good to wrestle with a blank page. And imagine my surprise when it wasn't fun at all.
He had supposed for years that he had no secrets from himself. Here was proof that he had a great big secret somewhere inside, and he could not imagine what it was.
When I was younger, I always knew I was a pretty good player, but it was impossible to foresee how far I'd go. I had a left foot and vision like no one else, but I wasn't the quickest and my right foot wasn't so great, so there were things I needed to work on.
And lastly, when other things in life get tough, when you're going through family troubles, when you're heartbroken, when you're frustrated with money problems, focus on your work. It has saved me through every single difficult thing I have ever had to do, like a scaffolding that goes far beyond any traditional notions of a career.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.
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