A Quote by Milan Kundera

Great novels are always a little more intelligent than their authors. — © Milan Kundera
Great novels are always a little more intelligent than their authors.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
How different from the cosy world of Rüya's detective novels, where authors never vexed a hero with more signs than he needed.
Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.
Have you ever noticed when you look in a mirror, unless you're really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.
Have you ever noticed when you look in a mirror, unless youre really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.
Male authors always take care to make their heroes at least one inch taller than they are, and considerably more muscular. Just as female authors give their heroines better hair and slimmer thighs.
I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.
For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much—the wheel, New York, wars and so on—whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man—for precisely the same reasons.
We always wanted to make a comedy that was a little bit more than that, which had tragic elements to it... that people engaged with - an intelligent comedy essentially.
Many great novels have shown a world torn to shreds by the brutality of war. To do so, their authors ground their texts in the details of destruction and decay.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.
It is interesting that amongst children of preschool age, the more intelligent ones tend to sleep less than the dull ones. After the age of seven this relationship is reversed, the more intelligent schoolchildren sleeping more than the dull ones.
Actors go into it because it gives us the chance to play people a great deal more interesting than we are, and to say things infinitely wittier and more intelligent than anything we could think of.
Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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