A Quote by Milan Kundera

People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still. — © Milan Kundera
People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still.
Usually when the opposing team does well, the crowd quiets down. All I began to hear was a chant 'L-S-U, L-S-U.' It got louder and louder and louder. It was the loudest I've ever heard a stadium.
You got to get used to somebody, when you're acting or going through a scene, somebody yelling, "Do it a little louder!" OK, you do it a little louder.
The calls for socialism on the left get louder and louder, and they don't stop.
I tour a lot and interview a lot. I'm on the Internet and doing stuff. I go out and promote. I've got a bass drum and a sandwich sign and a washboard. You just have to shout louder and louder that you're still alive.
I tell cold callers I'm very interested but a bit deaf, my hearing aid is not working properly and can they speak up. The idea is to deliberately miss-hear what they say, ask them to repeat, only louder, and see how loud I can get them to shout. After a while I say "I'm not really deaf" and was just wasting their time, as they were doing with me.
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.
Actions speak louder than words. And sometimes inaction speaks louder than both of them.
R.Pattz fever is a lot louder than George Clooney fever. The younger girls are a little louder.
It's also ironic that in the old days of tape and tape hiss and vinyl records and surface noise, we were always trying to get records louder and louder to overcome that.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
To become a WRITER I had to learn to INTERRUPT, to speak up, to speak a little louder, and then LOUDER, and then to just speak in my own voice which is NOT LOUD AT ALL.
The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
I do remember one of the first great experiences of going to Europe was playing in Rome hearing the people sing our music so loud. It was louder than the music we were playing.
There was once a fiddler who played so beauitully that everybody danced. A deaf man who could not hear the music considered them all insane. Those who are with Jesus in suffering hear this music to which other men are deaf. They dance and do not care if they are considered insane.
Yet it was impossible for me to say to people, 'Speak louder, shout, for I am deaf.' Ah, how could I possibly admit an infirmity in the one sense which ought to be more perfect in me than others, a sense which I once possessed in the highest perfection, a perfection such as few in my profession enjoy or ever have enjoyed.
The whole trouble with a folk song is that once you have played it through there is nothing much you can do except play it over again and play it rather louder. Most Russian music, indeed, consists in ringing changes on this device, skilfully disguised though the fact may be.
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