A Quote by Milana Vayntrub

Being an immigrant myself, but feeling very American, and also being the child of immigrants, I understand the feeling of wanting a home. — © Milana Vayntrub
Being an immigrant myself, but feeling very American, and also being the child of immigrants, I understand the feeling of wanting a home.
I've grown up feeling very American but being constantly bothered by people - there's internalized racism and feeling weird about being second-generation.
My main theme as a songwriter seems to be a feeling of homelessness, of being in motion. The feeling of being somehow unmoored, a radical internal freedom that is very painful and also joyful.
On some levels, you can also have this feeling that we are being duped, somehow. And that the world is at play for something you would understand more if it were pure ideology. It is a very strange time and also basic things are being taken away.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
Being an actor somehow can be a perverse extension of that feeling we generally all have as children, that feeling of wanting to please. Of course you're looking for affirmation, encouragement.
Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
Being black in America - especially as I was growing up - the feeling of oppression, the feeling of being outcast, the feeling of not having a voice was part of my life.
There were so many different influences in my life: being half Mexican and half Irish, growing up an only child of immigrant parents, being bullied in school, feeling alienated and lonely, this undertone of darkness. All that culminated and came out in my music and made it different.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
I don't really consider myself an immigrant, because I was born French; I have always spoken the language. I never had the feeling of being a foreigner. I was very lucky: I came to France, and I had enough money to study and to rent a studio. So, for me, it was not difficult.
I have experienced things that I think many Canadians have gone through - the feeling of not belonging, the feeling of being a victim, of being hurt, being marginalized.
Men always want to be terribly influential, but I see that as somewhat external. Do I imagine myself being influential? No. I want to understand. And if others understand--in the same sense that I have understood--that gives me a sense of satisfaction, like feeling at home.
If you are connected to your own internal being, it is very hard to be screwing and destroying and hurting another human being, because you’ll be feeling what they’re feeling. If you’re separated, it’s not a hard thing to do at all.
If you are connected to your own internal being, it is very hard to be screwing and destroying and hurting another human being, because you'll be feeling what they're feeling. If you're separated, it's not a hard thing to do at all.
My interest, perhaps, came out of the trauma of being a young immigrant in this country and constantly feeling my "resident alien" status. I remember trying to learn English on kindergarten playgrounds. I tried hard to be a convincing American but it was a losing battle. I was labeled weird and that tag never left me - all through high school, I was always the oddball. It was not always an easy path - I just had to tell myself that one day, being on the periphery would become an asset (and I think it finally has, as a creative adult).
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