A Quote by Milana Vayntrub

Every opportunity I've had to work and act with incredibly talented directors, like Dean Holland was on 'Love,' and the writers and creators of that show, Judd Apatow, Paul Rust and Leslie Arfin, have been incredible learning experiences that have informed my creative process.
One of my best friends is Paul Rudd, and he's been in just about every one of Judd Apatow's movies.
I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.
I went on an audition. I walked in the room, and it was Leslie Mann with Judd Apatow. It was intimidating.
I have been fortunate to have worked with immensely talented writers and directors who have had faith in me. There's been very little hard work but a lot of learning. I have learnt from each of my characters, and I think that's rather amazing.
Girls was the first television show I got to be a part of, and that was here in New York. Getting to work with Lena Dunham, and to work with HBO and Judd Apatow, and then being a big fan of Ryan Murphy, I couldn't have asked for a better opportunity than this.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
Judd Apatow and Paul Reubens are two people who I'd be more than happy to learn from because I think they're geniuses at what they do.
When I was a TV director working on Judd Apatow's show Undeclared. I was surrounded by so many young people. People like Seth Rogen, who was 9 years old or something. It was just a ridiculous amount of talented young people. I started to think I'd like to see a young-love movie, but not one done in that glossy, Hollywood, high-concept manner we've become accustomed to. One that was, for lack of a better way of putting it, a little more ambiguous, '70s-style, where everyone was flawed, middle-class characters.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
I know for myself, every now and again on HBO, they'll show some of the young comedian specials from the '80s and early '90s, and it's just fascinating to watch those comedians - some of whom are people that are world-famous, like Chris Rock or Judd Apatow - to see the jokes that people had, but also, the way everything looked.
And then, once you've written, you meet producers and directors and actors. You get to meet interesting, talented, creative, artistic people, and it also staves off a bit of creative stagnation when you can't act, which is the reality of the industry. So often, you can't act because there are just too many cars and not enough car parks. But, I love writing and I'll never stop doing that.
I gave Joss Whedon and Judd Apatow their first writing jobs, as well as many other untried writers who went on to great success.
In the comedies I've been lucky enough to be a part of a world like Judd Apatow's, where I believe comedy comes from real people.
I would love to branch out a little bit and... do a Judd Apatow type of movie. It just looks like it's so much fun.
Biggest musical influences would be people like Nina Simone and Tom Waits. A huge amount of writers like Leslie Feist and Paul Simon.
The original idea [ of the Pineapple Express] came from Judd [Apatow] actually. He just kind of had the loose notion of like, 'What about a weed action movie?'.
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