A Quote by Milarepa

One should see that all appearance is like mist and fog. — © Milarepa
One should see that all appearance is like mist and fog.

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One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
We must learn a new modesty. We have stormed the heavens, but succeeded only in building fog upon fog, a mist which will not support anybody who earnestly desires to stand upon it. What is valid seems so insignificant that it may be seriously doubted whether anlaysis is at all possible.
It was a gloomy prospect, and all that she could do was to throw a mist over it, and hope when the mist cleared away, she should see something else.
For we are like tree trunks in the snow. In appearance they lie smoothly and a little push should be enough to set them rolling. No, it can't be done, for they are firmly wedded to the ground. But see, even that is only appearance.
In winter there is no heat, no light, no noon, evening touches morning, there is fog, and mist, the window is frosted, and you cannot see clearly. The sky is but the mouth of a cave. The whole day is the cave.... Frightful season! Winter changes into stone the water of heaven and the heart of man.
Love is kind of like when you see a fog in the morning, when you wake up before the sun comes out. It's just a little while, and then it burns away... Love is a fog that burns with the first daylight of reality.
Fog everywhere. Fog up the river where it flows among green airs and meadows; fog down the river, where it rolls defiled among the tiers of shipping, and the waterside pollutions of a great (and dirty) city.... Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.
There is no particular source my stories come from. The stories always seem to be there waiting for me, though sometimes shrouded in mist and fog.
What if, when this fog scatters and flies upward, the whole rotten, slimey city goes with it, rises with the fog and vanishes like smoke.
A low line of shore was visible at first on the right between the movement of the waves and fog, but when we came further it was lost sight of, and nothing could be seen but the mist curling in the rigging, and a small circle of foam.
The mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us.
Lastly, the great uncertainty of all data in War is a peculiar difficulty, because all action must, to a certain extent, be planned in a mere twilight, which in addition not unfrequently — like the effect of a fog or moonshine — gives to things exaggerated dimensions and an unnatural appearance.
The English mist is always at work like a subtle painter, and London is a vast canvas prepared for the mist to work on.
Lying is like trying to hide in a fog: If you move about you're in danger of bumping your head against the truth, and as soon as the fog blows off, you are gone anyhow.
The enthusiast has been compared to a man walking in a fog; everything immediately around him, or in contact with him, appears sufficiently clear and luminous; but beyond the little circle of which he himself is the centre, all is mist and error and confusion.
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
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