A Quote by Miles Aldridge
When I look at the women, it's from a male gaze of being fascinated, because beyond my mother, I've been around notorious women all of my life, and then, secondly, when I look at women and try and create fictional stories around them.
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The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I've always wanted to have women well represented in the work that I've done because I've always been around them and around the way they look at the world.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
There are two races of people -- men and women -- no matter what women's libbers would have you pretend. The male is motivated by toys and science because men are born with no purpose in the universe except to procreate. There is lots of time to kill beyond that. They've got to find work. Men have no inherent center to themselves beyond procreating. Women, however, are born with a center. They can create the universe, mother it, teach it, nurture it. Men read science fiction to build the future. Women don't need to read it. They are the future.
In the drag community it's mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
Comedy's really about not being afraid to look terrible, look ugly, look silly, make fun of yourself. And that's something that women are just not socialized to do. But more women are doing it, and more women have examples of women doing it brilliantly.
If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
It turns out that a lot of women just have a problem with women in power. You know, this whole sisterhood, this whole let's go march for women's rights and, you know, just constantly talking about what women look like or what they wear, or making fun of their choices or presuming that they're not as powerful as the men around. This presumptive negativity about women in power I think is very unfortunate, because let's just try to access that and have a conversation about it, rather than a confrontation about it.
Feminism is a political practice of fighting male supremacy on behalf of women as a class, including all the women you don't like, including all the women you don't want to be around, including all the women who use to be your best friends whom you don't want anything to do with any more. It doesn't matter who the individual women are.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
If you're creating a slave situation, you would almost never bring women. And if we look at Slavery for example, we look at the Greeks and the Romans, right? It was always men. They never brought any women. Because women carry the seeds of the revolution, right? And if you have the men by themselves, then you can do what the French did with the Blackfeet, which is breed them out.
Feminism is liberalism, and look at what it's doing, look at what it's promoting, look at what it's condoning. All the while, we have to live in this lie that there's some sort of Republican War on Women. We don't do this to women! We don't objectify women like this.
I know there are certain men that hate women or don't like women, and in order to make women feel small, they tend to isolate them when they bully them. And women are often humiliated by it and feel they can't do anything about it. So my advice to women would be: there's always support around for those sorts of things and if you feel you're isolated in any way, or being bullied, you must talk to someone about it.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
I never want to lie about my age. If I look around at the actresses I admire, they are all women who have not fought growing older, but embraced it and been proud of it - women like Sophia Loren or Audrey Hepburn.
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