A Quote by Miles Davis

You can't play anything on a horn that Louis Armstrong hasn't played — © Miles Davis
You can't play anything on a horn that Louis Armstrong hasn't played
I think that anybody from the 20th century, up to now, has to be aware that if it wasn't for Louis Armstrong, we'd all be wearing powdered wigs. I think that Louis Armstrong loosened the world, helped people to be able to say "Yeah," and to walk with a little dip in their hip. Before Louis Armstrong, the world was definitely square, just like Christopher Columbus thought.
When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.
I actually wanted to be a jazz musician first. My grandparents introduced me to Louis Armstrong. I loved Louis Armstrong so I took up the trumpet and just did that every day and practiced that.
When I was a young man, I shined the shoes of Louis Armstrong and Louis Jordan! Music was just everywhere like that. And in my family, everyone could play something, and if they couldnt play, they could sing.
My dad always pointed out Louis Armstrong's pad when we passed by there. And me and my dad were both proud Louis Armstrong was from New Orleans.
Louis Armstrong said you have to live a life. And that's right. If you don't live a life, you don't got nothin' to come out your horn.
My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.
Few of us boggle - though we should - at the fact that Louis Armstrong sang and played trumpet with similar panache, or that Leonard Bernstein and Benjamin Britten were equally adept as composers, conductors and pianists.
Man, you'd be surprised how much I'm learning - not only about myself, but about the musicians who came before me. You don't realize at first when you listen to Armstrong's records how great this man was and how hard that Hot Five music was to play. After the experience of reading and playing those parts, I have an even greater respect for Louis Armstrong than before
There's no appreciation for the giants [of jazz]; there's never been a major film on Duke Ellington , never a major film on Louis Armstrong. What they accomplished, we could never accomplish today...What's happening now is lightweight compared to what happened before. If Louis Armstrong was alive today, he'd be a superstar. If Art Tatum was alive today, my god, all the piano players would get on their knees. So that's what's missing today; we've been cut off from our heritage.
I had a dream that Louis Armstrong was playing the 'Swept Away' melody. I have no idea where it came from. But Louis Armstrong was playing it and singing the song to me. I woke up-it's a borrowed melody no doubt-and wrote it down. If I hear a song and I choose not to put it down, that's me neglecting to accept that song. I think there's a very spiritual and godly-type ting that happens, and it happens to way more people than we know. It's just that very few of us choose to engage it.
Louis Armstrong's 'What a Wonderful World' is my ultimate karaoke song. It is a wonderful world. People forget we only have a certain amount of time, and it can all end at any moment. Armstrong and Frank Sinatra's 'My Way' are the ultimate one-two punch.
Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.
And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet.
If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.
I never felt like that in my life. I didn't know human beings played these instruments. I heard them in Chicago and Louisville and St. Louis all my life, you know? But I didn't know human beings played them, you know? So the next day I went to Coontz Junior High School and I started on sousaphone, tuba, B-flat baritone, E-flat alto, French horn, trombone.
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