A Quote by Miles Davis

Play what you know and then play above that — © Miles Davis
Play what you know and then play above that
See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
You know your real nature [to be divine]. You are the king and play you are a beggar. . . . It is all fun. Know it and play. That is all there is to it. Then practice it. The whole universe is a vast play.
In play, the child is always behaving beyond his age, above his usual everyday behaviour; in play he is, as it were, a head above himself. Play contains in a concentrated form, as in the focus of a magnifying glass, all developmental tendencies; it is as if the child tries to jump above his usual level.
Play gives children a chance to practice what they are learning...They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
In play, a child is always above his average age, above his daily behavior; in play, it is as though he were a head taller than himself.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
It's not easy to play your best for 40 weeks. It happens every year, I don't play well in Rome or Hamburg -- I don't know why -- but then I play well after that.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
A lot of kids just want to go play basketball, but they don't know to play and they don't have the skills to play. I think just the skill development right off and then play all you can, but don't sacrifice your skill development by just playing and not working on the specifics of the game.
When i play in Las Vegas I play for money, when I play in Miami I play for holidays but when I play in #India I play for Love
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar.
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar
Do you know, I didn't play a policeman up until I was 40, and then suddenly that's what I have been asked to play.
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