A Quote by Miles Davis

Bebop didn't have the humanity of Duke Ellington. It didn't even have that recognizable thing. Bird and Diz were great, fantastic, challenging — but they weren't sweet.
They said Bird played bebop, but Bird could still swing. I've heard a lot of guys play bebop, but they wasn't swinging.
Birth of the Cool' became a collector's item, I think, out of a reaction to Bird and Dizzy's music. Bird and Diz played this hip, real fast thing, and if you weren't a fast listener, you couldn't catch the humor or the feeling in their music. Their musical sound wasn't sweet, and it didn't have harmonic lines that you could easily hum out on the street with your girlfriend trying to get over with a kiss.
I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.
I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.
My inspiration comes from the message Duke Ellington gave - you are unique, be yourself, put out that thing that is you, then use your work ethic and produce great music.
I learned from Ethel Waters, Duke Ellington, Adelaide Hall, the Nicholas Brothers, the whole thing, the whole schmear. [The Cotton Club] was a great place because it hired us, for one thing, at a time when it was really rough [for Black performers].
There's this great thing called the 'Chitlin' Circuit,' which I started my shows on and back in the day when, you know, Ray Charles and Billie Holiday and Duke Ellington, they couldn't get into white establishments, so they went on this circuit and toured. They were huge stars in their own community, you know, and that's pretty much my same story.
If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.
I think I just had it by osmosis: an appreciation of Duke Ellington before I really even knew who he was.
Prince got some Marvin Gaye and Jimi Hendrix and Sly in him, also, even Little Richard. He's a mixture of all those guys and Duke Ellington.
My teachers are Duke Ellington and nature.
It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.
Count Basie was college, but Duke Ellington was graduate school.
I was raised on jazz. My father, from the time I was born, used to get up early on Saturdays and Sundays and put on Count Basie, Duke Ellington, Kenny Burrell, Sarah Vaughn, John Coltrane - all these great, classic albums.
This site uses cookies to ensure you get the best experience. More info...
Got it!