A Quote by Miles Davis

I usually write from the rhythm section...If a drummer got a funky beat on some things - like a half-shuffle or a shuffle or a backbeat that's even - I can write something.
'Head Over Boots' is a shuffle, but it's more of a Motown laid-back shuffle than, say, a Dwight Yoakam shuffle.
I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
Being a drummer, I'm always like, 'Oh, that's got a funky beat. That's cool,' and I like to dance.
When I sit down to make a set list I usually think, 'We'll build it up here, take it down here, go into a quiet section here, explode here,' in a way that there's a flow and it doesn't feel like shuffle on an iPod.
Just write a little bit every day. Even if it's for only half an hour — write, write, write.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
If you come in like a typical modern drummer who is used to playing only with tricks and double kick and, like, big, big, big, fast rolls, but you can't play a swinging shuffle, then you can't play in Ghost whatsoever.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
My actual writing process? I have to just love the beat before I even write on it. I can't force myself to write to a beat that I'm not immediately loving.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
But you know, I really like to present the songs on an album as a story, as something thematic, rather than something you'd put on a random shuffle.
Scobe's Eighth Law: The moron will enter the single deck game when the count is sky high and the dealer is deciding whether or not to shuffle. The morons's entrance will convince the dealer that it's time to shuffle. You will now face a new deck with your biggest bet out and the pit boss watching closely.
I've got my iPod and I've got it on shuffle. If I'm not ready for one, I'll click to the next one. My wife, Lori, and our children, Adam, Nate, Chris, and Luke, will all tell you that when I find one I like it can stay on repeat for weeks on end.
When I'm using the Internet, I have 25 tabs open, and even if somebody sends me... something interesting, odds are I'll forget about it, or it'll get kind of lost in the shuffle.
I like to write about things that are extreme in some form. I like to write about something I feel I have to write about.
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