A Quote by Miles Davis
Monk was a gentle person, gentle and beautiful, but he was strong as an ox. And if I had ever said something about punching Monk out in front of his face - and I never did - then somebody should have just come and got me and taken me to the madhouse, because Monk could have just picked my little ass up and thrown me through a wall.
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Becoming a monk was a hard decision. Leaving being a monk was harder, but it's given me so much faith in my ability to transition, and that what I learned as a monk can still serve me.
Amma Theodora said: A certain monk, afflicted by many sorrows, said to himself, "Leave this place." With these words he began to put his sandals on his feet, and suddenly he saw the devil in the form of a man sitting in the corner of his cell. The devil was also putting on his sandals. He said to the monk, "Are you leaving here because of me? Well then, wherever you go, I will be there before you."
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
One of the books that has guided me in the last ten years of my life to help me to be that leader is the Buddhist monk Thich Nhat Hanh's Being Peace. He's a Vietnamese monk. He was nominated for a Peace Prize by Dr. Martin Luther King.
In my efforts to better my stamina and career, I find myself becoming more monk-like. And I'm not talking about the 'holy, praying, create awesome Trappist beer'-type monk. I'm talking about the 'go to bed early, no drinking, no talking, and no having any fun'-type monk.
My life has been about living like a monk and looking like a priest so that people will come up to me and tell me their most appalling stories. They have to make their confession to somebody, and it might as well be me.
I love Monk's song, 'Just a Gigolo.' It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
I have my own way to walk and for some reason or other Zen is right in the middle of it wherever I go. So there it is, with all its beautiful purposelessness, and it has become very familiar to me though I do not know "what it is." Or even if it is an "it." Not to be foolish and multiply words, I'll say simply that it seems to me that Zen is the very atmosphere of the Gospels, and the Gospels are bursting with it. It is the proper climate for any monk, no matter what kind of monk he may be. If I could not breathe Zen I would probably die of spiritual asphyxiation.
Monk's music is often defined as enigmatic, eccentric and humorous - as if it had little to do with the pain he may have endured to create his art. But I believe Monk routinely shared his history with his audience, no matter how unpalatable that history was, and it is for that very reason that his music connects with people around the globe.
I play a Monk song, it's like you get possessed. And then you have to break that spell. You have to remind yourself that you are an individual, or that you aren't Thelonious Monk.
I love Thelonious Monk's song "Just a Gigolo." It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized, because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
If for just the time of a finger-snap a monk produces a thought of loving-kindness, develops it, gives attention to it, such a one is rightly called a monk. Not in vain does he meditate. He acts in accordance with the master's teaching, he follows his advice. How much more so if he cultivates it.
[Thelonious] Monk is a subject in itself. I mean, most piano players in most big bands sit down and they play with the band, you know. But Monk would just sit there like this. And all of a sudden there'd be a pause from all the trumpets and everything and Monk would go 'plink!' like that. And everybody would go 'Yeah!
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