A Quote by Miles Davis

If I have a dynamite bass player - I have Darryl Jones - it's so easy to write for him because he's such a funky kid and he's gifted. He's like a little genius. — © Miles Davis
If I have a dynamite bass player - I have Darryl Jones - it's so easy to write for him because he's such a funky kid and he's gifted. He's like a little genius.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
A guy like Benoit, he's really good and a lot like Dynamite. Dynamite, just because he was the original, was the best. But, you know, Benoit now is by far better. Dynamite Kid is nothing now.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.
The thing I like to do when I'm making records is to keep it exciting, as opposed to, 'There's a bass player, guitar player... ' Just a little variety.
God's a funky little dude because everyone's looking for Him and no one can find Him.
I've worked with little kid actors before, and when they start crying or anything like that, it makes my job so easy, because you react. A little kid crying, there's not much else to do.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I listen to everything from, you know, Buddha Bar groove music to international music, Italian music, like Eros. I like very sexy, funky music like Maxwell, Angie Stone, R&B...In my CD player, I've probably got Maxwell, Beyonce, Enrique Iglesias, and kid music...maybe some AC/DC. I mean a little bit of everything. It depends on what I'm doing.
In the Making Of book ["300"] there's a guy named Victor Davis Hanson who is a a frickin genius. He's a Greek historian and we showed him the movie because I wanted him to write a forward to the Making Of book. I was a little nervous to be honest, because I wasn't sure how he'd react.
When I heard BB King's 'Sweet Sixteen,' I knew I wanted to play bass because that was the thing that made that record: the bass player.
When I heard BB Kings Sweet Sixteen, I knew I wanted to play bass because that was the thing that made that record: the bass player.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.
This site uses cookies to ensure you get the best experience. More info...
Got it!