A Quote by Miles Davis
I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way.
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I began to realize that I had tended to avoid some people because of my instant conclusions about who they were and what they would have to say. I discovered that everyone, speaking honestly and openly, had important things to tell me.
Ornette Coleman wasn't sure whether he was going to continue with Charlie Haden-Charlie had some personal problems. I said "You've got to be kidding! There's no one on the globe who will be able to accompany you" and no one ever did. [Scott LaFaro] was playing atonally and certainly Ornette was not an atonal player. Jimmy Garrison was a tonal player. He wasn't even polytonal or atonal.
The only way we can fly planes and use computers is because people were curious about their world and also skeptical about the things they were told to be immutable, so they figured out other ways of doing things.
When I was in college, I had a jazz radio show. I called it 'Excursion on a Wobbly Rail,' after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.
My parents were very, very close; they pretty much grew up together. They were born in 1912. They were each other's only boyfriend and girlfriend. They were - to use a contemporary term I hate - co-dependent, and they had me very late. So they had their way of doing things, and they reinforced each other.
Of course, there are different truths on different levels. Things are true relative to other things; "long" and "short" relate to each other, "high" and "low," and so on. But is there any absolute truth? Something self-sufficient, independently true in itself? I don't think so.
When I was first diagnosed, I went out, as a book person, and got some books on cancer and looked up my version of the disease. It said that I had about a 5 percent chance of survival. I said, 'Gosh, well, it's been a good run.' What I didn't realize is that in the two years since those books were published, things had shifted dramatically.
The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it.
Ornette Coleman is a real musician. He takes all of the things he's thinking about in the world - which is a whole universe upon universe - and translates this into music.
Over time, it also became important for me to share my management principles with the people I worked with because we had to agree on how we should be with each other - and that way is unique. Because the logic behind being radically honest and radically transparent with each other wasn't clear, it had to be spelled out in these principles.
It's incredible when women tell me that they've read things that I've said or have been inspired by things that I've done. To hear them say that because of something I did, they felt more positive about themselves and or had more of a voice to stand up for things that were right. It's been empowering for me to be able to help other women feel that way about themselves.
I'd listened to [Ornette Coleman] all kinds of ways. I listened to him high and I listened to him cold sober. I even played with him. I think he's jiving baby.
At the beginning of the 20th century, before the migration began, 90 percent of all African-Americans were living in the South. By the end of the Great Migration, nearly half of them were living outside the South in the great cities of the North and West. So when this migration began, you had a really small number of people who were living in the North and they were surviving as porters or domestics or preachers - some had risen to levels of professional jobs - but they were, in some ways, protected because they were so small.
F irst and foremost I am a drummer. After that, I'm other things... But I didn't play drums to make money. I played drums because I loved them... My soul is that of a drummer... It came to where I had to make a decision - I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
I, with millions of other Americans, have the same dream Martin Luther King Jr. had; when I wake up I wish some of the things I dreamt would be true. I wish that little black and white boys and girls would hold hands without being shocked at their nearness to each other and say in a natural way, "we have overcome.
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