A Quote by Miles Teller

I grew up doing some landscaping and painting houses and that kind of thing. — © Miles Teller
I grew up doing some landscaping and painting houses and that kind of thing.
My favorite thing is landscaping. I love landscaping. And so what I'll do is, mostly I put language into search engines, and if I want to look, like, at tulip gardens, or, like, Georgian gardens, i love English gardens, how they're laid out. Japanese gardens, Asian gardens. So, I'm kind of a frustrated landscaper.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
The thing that really struck me when I went to junior high was class. I grew up on a pretty poor street, but the school district I was in included some fine neighborhoods - so I got to know a couple of the kids from those places and went to their houses and experienced such culture shock.
I was dishwasher, then promoted to chef in a local kitchen in a restaurant in Seattle, and I was working on a building site as well, putting in insulation and painting houses, and then doing some classes at a community college nearby.
When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art.
Seven years I worked in landscaping. It was a good job, I don't complain. I liked going out to different houses every day, traveling.
One thing that really interests me is-and it comes out of Chinese and Japanese painting-where you have a number of different kinds of space in the same painting. You have a kind of deep space, and then you have something like right up on the surface.
I helped my dad do landscaping from when I was 14, and then every summer when I'd come home for college, I'd play on a travel baseball team, but during the day, I'd do landscaping.
I grew up in the upper class, for sure. My family was kind of about that whole parties-and-horse racing thing. I can understand it's fun for some. I never enjoyed it.
I grew up remodeling houses with my parents, and I've started to do it again with some of my friends. So, I like to watch HGTV - 'Love It or List It,' 'Property Brothers,' 'Flip or Flop.'
As a kid, I did some running but especially loved biking and swimming. I grew up on Long Island, and our mom took us all the time to the ocean, so I grew up doing open-water swimming in the Atlantic.
Music just runs in my family. My dad and my uncles are a gospel quartet, Latimore Brothers. They've been doing their thing ever since I was a kid, so I just kind of grew up around that.
I was landscaping not too long ago, so I'm extremely grateful for the people supporting me in wrestling. Not that landscaping is terrible, but I'd rather be suplexing and punching people.
I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
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