A Quote by Millicent Simmonds

I was in several school performances, mainly Shakespeare and comedic roles. I just accidentally became an actor. I totally didn't expect this. — © Millicent Simmonds
I was in several school performances, mainly Shakespeare and comedic roles. I just accidentally became an actor. I totally didn't expect this.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
Jason [Sudeikis] is a successful actor and comedian, I don't think that he takes comedic roles any less seriously than he does dramatic roles.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
I'd love to be remembered as a character actor who brought illumination to roles in wonderful plays and who delivered performances that made people think and rethink those roles.
I had no idea how one became an actor. I didn't know things such as drama schools existed. It all just sort of happened accidentally.
The heritage of a British actor revolves around the challenges of playing the classic roles to meet certain levels of success as an actor. In America, the heritage of an actor is based on cinema mainly.
Once an actor told me he went to the Shakespeare School of Acting, and I said, 'I went to the Shakespeare of Acting, too' and he said, 'Oh really?' And I said, 'I went to Shakespeare Elementary School in Chicago.' He didn't take the joke well, he didn't laugh and didn't think it was funny - I thought it was funny. It's all the same to me.
I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
Early practice is vital so that performances became totally ingrained and flow from the subconscious.
The odd thing is how, I think, the intensity and devotion to my craft and the intensity of certain performances or types of roles I've played overshadow the comedic stints that I've had. 'Darjeeling Limited' is a comedy; The 'Brothers Bloom' is a comedy.
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
I started my career as an actor, then morphed into a playwright who accidentally became a novelist with my first book 'Fall On Your Knees.'
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
This site uses cookies to ensure you get the best experience. More info...
Got it!