A Quote by Millie Bobby Brown

I didn't do school plays... I've never done a play in my life, actually. Not even a nativity. — © Millie Bobby Brown
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity.
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity. If I'd been in a school play, I'd probably have sneezed and messed everything up.
In school nativity plays I was always the bloody little donkey, I was never Mary.
I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
Almost everyone who's been to primary school in Britain has had towels put on their heads to play the shepherds in the nativity play.
My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy.
I'd done plays in middle school, done some for the church in high school, but I had no intention of ever being a professional actor.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I actually wanted to be a police officer like my dad for the longest time, up until my sophomore year in high school when I started doing plays. I did plays when I was little, but in high school, I started getting into acting.
I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.
Once I was in my last year of law school, I started doing plays, as I said, without taking the bar. And I got hooked. I did a play called 'Marat/Sade', and I never had so much fun in my life.
From a stupidly young age I was always involved in anything, whether it be a nativity play or little kids plays. Wherever it was, I was involved and I think it was because more than anything, I wanted to be the center of attention.
I don't play the tuba. The tuba plays me. My tuba is not actually a tuba, because it has never produced a musical sound. It is actually a giant frog pretending to be a tuba.
I actually never got in a play in school. My teacher said I never learned my lines.
Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.
I auditioned for the role of an angel in the Nativity play at school. I didn't get it. I auditioned for Mary; didn't get it. So I made up the character of the sheep who sat next to Baby Jesus.
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