A Quote by Milo Ventimiglia
I think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
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Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
I got to have a great big knock-down, drag-out fight with Sylvester Stallone. Every actor should have that much fun at some point. You can hit him as hard as you can, and it's never enough for him.
I grew up watching 'Rambo' and 'Rocky' and all of those movies, so you have a surreal moment, even as an actor, when you're in front of these guys, whether it's DeNiro or Stallone. You have a moment like, 'Geez, that's Sylvester Stallone,' and then you have to snap out of it and get back in the pocket of the character.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
You’re early.” I give him a mutinous look. Of course he thinks my being early is about him. It’s not. Mac was at Chester’s last night at eight. I think she’s hunting me. Since I can’t be late to avoid her, I have to be early. “Watch broke. Thought I was on time.” “You don’t wear a watch.” “See? I knew I had a problem. I’ll just dash out and get one. Be back tomorrow. On time.
Audience doesn't necessarily come only to see a hero with six-pack abs. They will watch him, but if someone who doesn't have that physique and is playing the protagonist, they'll watch that too.
I've realized that a lot of people go to see film or theater with a different expectation. I have a friend who's an actor and I can't stand watching movies with him because he never quite allows himself to just watch the story. He'll comment on the lighting, he'll comment on the [camera] angle. I'm not saying there's a wrong way to watch it - maybe that's helpful to him - but to me, you're getting way too caught up in the technical aspects.
If I see an actor in a role that is really terrifying, no matter how many times I meet him socially, I'm still frightened of him. I think he's going to hit me.
Look at Colby Covington. The guy can fight, and the guy can talk. To a lot of people, he just grinds people out, and many people consider him boring, but because he opens his mouth, people want to watch him fight. A lot of people want to see him win; a lot of people want to see him lose.
Players like Didier Drogba, going to watch him play and seeing him off the pitch as well, I got to see how he was with the players and the youngsters. Growing up, he was a good idol. He's a bubbly, funny character. He likes to make people feel welcome. You need those kind of people, wherever you are.
I enjoyed being a teammate of Deion Sanders. He brings different elements to the game that many people would not even realize, and to watch and witness a superior talent like him and watch him prepare and train, and study the game is truly amazing.
Rahul Dravid is my role model. I always used to watch him on the television. Now I get to interact with him up-close.
When you first hear about this guy (Stan Musial), you say, 'it can't be true.' When you first meet him you say, 'It must be an act.' But as you watch him and watch him and see how he performs and how he comports himself you say, 'He's truly one of a kind.' There will never be another like him.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch.
I watched the Tyson-Holyfield fight with Stallone. I remember when Tyson bit him, Sly looked at me and said, 'I think he bit him'. I said, 'I think you're right, Rock.'
If I'm playing a bad guy, and I'm playing him evilly - I'm making him evil; I'm being evil because I want the audience to understand that he's bad - or if I have a line that's funny, I do it in a comedic way, that, to me, is a lie. It's dead when I watch it.
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