A Quote by Milo Ventimiglia
I think there couldn't be a more perfect time with the state of the world than to come together and share an experience - especially an entertainment experience like This Is Us - to say, "You're different, and I'm different, but we all agree that life should be lived. You should be happy, and we're all deserving of joy."
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I do think that same gender partners should be able to be married. Why not? If you share a life together than who in the world should have anything to say about it?
We are also very presumptuous to negate the possibility that an illness may be a gift. It's a neutral experience is what I'm trying to say. It should be viewed in some regard as no different than any other experience.
There's a different kind of experience you have when you experience live entertainment versus the kinds of media we tend to consume most of, when we're watching television or films or reading books. Live entertainment is a whole different beast.
Life comes first, an art not rooted in human experience is not worth a damn, but different kinds of minds have different kinds of experience, and all I ask of any man is validity; and there should be place for every type and kind of mind.
There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.
As Latter-day Saints, we need not look like the world. We need not entertain like the world. Our personal habits should be different. Our recreation should be different. Our concern for family will be different. As we establish this distinctiveness firmly in our life's pattern, the blessings of heaven await to assist us.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.
I've lived in a preindustrial (rural Argentina) as well as an industrial world. You experience a different sense of time in a community that works the land. Human relationships aren't professionalized or contractualized; family and friends take primacy. Life has much more continuity than discontinuity. There's a great deal of poetry in everyday life.
I think philosophy is all about lived experience, which is to say life in the streets, life in a variety of different contexts.
We like movies and books that give us this emotionally moving experience, where you feel like a slightly different person, and you see the world a little different after you finish. It lets you see your own life in a different way, and it actually makes you feel really good.
I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
You have to think about why you're asking an audience to come to the theater. It's not that they should come because it's good for them, because it's the vegetables that they should eat and the culture shot that they should get... It's about experience and building community and catalyzing dialogue and bringing people together.
I'm a huge lover of going to the theater and having that experience of people in the room. Any time you go to an experience like this, you hear it in a different way because sound systems are different.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
I think we should sometimes read stories where everything's different from our world, don't you agree? There's nothing's like it for teaching us to wonder why trees are green and not red, and why we have five fingers rather than six.' --spoken by The Bluejay, aka Mo the Bookbinder, from 'Inkdeath
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