A Quote by Milo Ventimiglia
I try to find something in everyone that I play - even the most heinous ones. You have to find something that is real and vulnerable about everything that you play.
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You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
I play guitar quite a bit, because I'm always in search of something. I don't play to jam, but because I'm fishing. I'm looking for something, that I hope you can never find. If I do find it, I'm afraid I won't have a need to do this any more.
I always try to find something I admire about every character I play.
If you are opening a play, a play that's really about something, a play that's really about ideas, you have to find a way to sell that play.
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
It is fine to imitate a being you respect, but you cannot become that very being. Imitation is something one does to grow and develop. It is not something you use to deceive yourself. You absorb in yourself the things you think have some kind of value, but even if you try to find the meaning about your true self you will not find anything. Because those who cannot accept their real self always fail.
I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint.
I try to push and find something awkward. The gems to me are truly awkward situations, and you have to have somebody who's willing to fail because those can't be conceived. They never play if they're thought about and discussed too much. You have to create them right at the moment and look for something honest.
Give yourself a chance. Now, everyone can't play basketball. But find something you're interested in.
Let's find a way to love each other. Seriously, it can't be that hard. We can even be analytical about it, and work on a cost analysis model. We just need to find something that everyone believes in, that everyone realizes is greater than all of us and our human history combined.
I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.
Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, somethingyou can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.
I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.
I think one of my big skills is making unlikable characters likable or real in some way. No matter how hateful people are, there's always something vulnerable about them, or something that you can understand or relate to. I think that's my job as an actress - to find those.
Even in drama, I like to try to find the humor because I think it's very human. Even in the depths of dreadful situations, there's usually something rather comic, or something you can laugh about afterwards, at least.
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